• Hope is Noise @ The Pavilion

    In the process of getting out to this gig, venturing out on a wet Thursday night, your writer wrenches his ankle, and as a result, spends the next 20 minutes hobbling to the Pavilion, just in time to miss most of debuting Cork/Italian lads The Order of the Mess‘ power-duo noise-rock assault. Their stuff on Soundcloud paints a rough but promising picture, that of a multifaceted, but bludgeoningly weighty aural attack. They’re well-received here. Settling in for Hope is Noise getting on with setup, it’s a decent crowd that litters the bar of the Pav, especially right before a Bank…

  • LEGO: The Hobbit (Warner Bros., Multiformat)

    Another month, another LEGO videogame tie-in. For nearly ten years British development house Traveller’s Tales have been remoulding iconic comics and films in ickle plastic form, and, if internet rumours are to be believed, show no signs of slowing down. While the destination might vary from Gotham to Middle Earth, the premise is always the same: guide a variety of figures through a toy world, taking apart and putting together objects made out of the famous Danish bricks. It is an odd idea, for sure, but one which works – most of the time. Which brings us to LEGO: The Hobbit,…

  • Classic Album: David Bowie – Diamond Dogs

    In Diamond Dogs, with a twisted and sophisticated take on his sound, David Bowie predicted a dark, post-apocalyptic future world. 40 years on, how does the prophecy and the music stand up? In 1974 David Bowie needed to deliver. The Ziggy Stardust album (1972) and accompanying stage show was a whirlwind success and saw Bowie become a significant rising star in America and the most important pop artist in the UK. The follow up, Aladdin Sane (1973), was swallowed up as a straight sequel by a public so Ziggy hungry, they barely noticed the (subtle but not insignificant) musical developments. In time for the Christmas market of the same…

  • The Record #004: Funzo

    The brainchild of Liam McDermott, Dublin hip-hop group Funzo have had a prolific and tireless journey since their inception in 2009. With 250 live shows – including numerous high-profile festival appearances – under their belt, they launch their debut album, The Great Lonesome, at Dublin’s Twisted Pepper on Saturday, May 17. Talking to us for the latest installment of The Record, McDermott fills us in about his songwriting process, the recording of the “concept” album and his very generous plan for its launch. In-studio photos by Shaun Neary. Hi Liam. You recently recorded your new album, The Great Lonesome. First off, can you tell us…

  • Interview: Ginnels

    Mark Chester’s Ginnels – a well-loved and lively part of Dublin’s ever expanding DIY scene – describe themselves modestly as “like your dickhead neighbour drowning out your Byrds and Feelies records with his poorly recorded noise ‘jams’ and his stoned mates. Except actually good.” They’re definitely right about the last part. Chester’s scene credentials are substantial, with the vocalist heavily linked in with Dublin record label Popical Island as well as playing roles in No Monster Club and Grand Pocket Orchestra. He seems able to orchestrate a collection of garage rock albums on a budget that’s too tight to talk of, and…