Nile Rodgers & Chic playing a rare* Irish show at Belfast’s Waterfront Hall. Photos by Niall Fegan * statement may not reflect reality
-
-
In the latest installment of Inbound, we catch up with Belfast alternative folk band No Oil Paintings ahead of the reason of their new single, ‘Something Like The Truth’. Hi guys. For those new to the band, can you give us a quick intro to the band and how/when you formed? We’re an alternative folk band from Belfast. We formed the summer of 2013 as a bluegrass cover band, had several line-up changes early on from a 3 piece up to a 6 piece, ditched the bluegrass & covers and have been playing original music with this line-up for the…
-
“A girl can do what she wants to do, and that’s what I’m gonna do.” Not least looking back, these words from Joan Jett’s debut solo single ‘Bad Reputation’ feels something of a mantra for the legendary L.A. musician. Jett — who was born Joan Marie Larkin in Philadelphia in 1958 — has spent the best part of five decades underscoring one indubitable fact: in a male-dominated, prejudice-heavy industry, she stands tall as a feminist rock pioneer whose influence, defiance and autonomy have coalesced to help pave the way for countless other musicians. As Joan Jett saw it, and saw…
-
Having released one of the albums of the year, Weyes Blood is set to play the Button Factory on October 26. Natalie Mering’s fourth album, Titanic Rising, came out in April to unanimous acclaim. Absorbing classical and renaissance music, pop culture and social commentary into a cinematic narrative, it’s the most focused, singular vision of her all-encompassing contemporary pop so far. Read Andrea Cleary’s review from back in April. Tickets go on sale this Wednesday, May 22 at 9am from Ticketmaster.
-
The word “haunted” brings ghost and ghouls to mind but, in Frankie Cosmos’ latest releases, Greta Kline shows that everyday items can be tainted by memories that, when pushed to the back of the mind, can be just as frightening. Haunted items was released in four mini digital-only EPs, rationed out over the course of March. The collection contains all of the classic Frankie Cosmos properties we heard in 2018’s Vessel – catchy major chord progressions with witty melancholic lyrics – but this time it’s just Kline and her piano. Piano was the first instrument that Kline learnt as a child…
-
This Saturday, May 18, the Bullitt Courtyard will host a summer sound system from esteemed label Soul Jazz Records. The label was founded in London in 1992, with the idea to draw “cross cultural connections” between soul, jazz and reggae through compilation albums. Almost 3 decades on, Soul Jazz has expanded its style and breadth – still releasing landmark retrospectives, but also sending contemporary, underground vibrations into the world. Pete and Scott will be your musical guides at Bullitt, playing across funk, soul, jazz, ska, reggae, dancehall, Latin, disco, punk, hip-hop, house, electro, UK & worldwide beats. Here, Bullitt resident DJ Jonny Carberry selects 20 of his…
-
Presumably, Michael McCullagh doesn’t much like to relax. When he’s not overseeing an equally popular web series (The Also Rans) and podcast (Mad Notions) the Belfast-based Omagh musician makes anthemic guitar-pop in the guise of Son of the Hound. Today marks a big milestone in his career to date. Soundtracking “the overarching feeling of being alive, scared and hopeful in 2019”, Cheers, Sound, Good Luck is a debut album that distills that restlessness, as well as an urgent sense of seizing the moment, to ten tracks that burst with heart, humanity and countless star-shaped hooks. Cheers, Sound, Good Luck is launched at Belfast’s Limelight 2…
-
Following the release of debut single ‘Warm Water’ in August, Belfast’s Mob Wife are back with new double A-side Captain Care A Lot / Hellsong. Recorded by Chris Ryan at Start Together Studios, with striking artwork by Billy Woods, the release strikes a midpoint between the dissonant fury of Metz or Unwound, and the melodic vulnerability of Pile. A contrasting couplet, ‘Captain Care A Lot’ continuing down the narrative & noise-ridden path of twentysomething angst and confusion laid by ‘Warm Water’, sardonically chronicling mass depersonalisation as a result of social media. ‘Hellsong’ is a more inward-looking exploration of disintegration, through the maelstrom of substance abuse, isolation and depression; in eschewing the…
-
Next week, Bouts will release their highly-anticipated second album, Flow. It’s an release that finds the Dublin quartet distilling their star-shaped, and instantly recognisable brand of indie rock down to nine tracks. Doubling up as the long-awaited full-length follow-up to 2013’s Nothing Good Gets Away, the album – which was recorded by Fiachra McCarthy in Dublin – is an emphatic return effort at a time when carefully-crafted guitar music is experiencing a long-overdue renaissance. Coming off the back of singles ‘Face Up’ and ‘Love’s Lost Lost Landings (Part 1)’, the newly-released ‘Love’s Lost Landings (Part 2)’ is an irresistible shoegaze-leaning burst revolving around Barry Bracken’s…
-
Each December, when we sit down to compile, order (and re-order) our end-of-year lists, a few familiar patterns emerge: though an undeniable bastion of forward-moving sound – and despite what the UK’s more kneejerk music press have been sold as of late – Dublin is not Ireland; there’s always enough feature-length curios released across the calendar year to warrant, if we were so audacious, a Top 200 Releases; and, more than ever, the self-released EP continues to hold its own in the face of even the most monied, PR-wielded long-player. This year was no different. Delve into #50 to #26…