• Black Lips – Satan’s Graffiti or God’s Art?

    May 22, 2017 - By 

    Satan’s Graffiti or God’s Art is the eight album from garage rock stalwarts Black Lips. The Atlanta, Georgia natives have been ploughing this furrow since 1999, undergoing various lineup changes and becoming well known for their raucous live show, all thrown guitars and downed beers. While the band remain impressive in the live sphere, their studio albums took a decline around the time of 2011’s Arabia Mountain, primarily produced by Mark Ronson. The subsequent album, 2014’s ‘Underneath The Rainbow’, continued the decline and this year’s effort unfortunately doesn’t quite buck the trend enough, despite the recruiting of the mighty Sean Lennon…

  • The Mountain Goats – Goths

    May 19, 2017 - By 

    The truth isn’t as truthful as it once was. The line between slander and sincerity is blurred beyond recognition. It’s comforting that there are some ideas with an aura of objective honesty. One of them is this: The Mountain Goats, and by extension John Darnielle, do not make bad songs. It’s been nearly three decades and the man has a track record to rival Lasse Virén. He’s not the type to rush and hastily release some cash grab. Even a cursory glance shows how much his work is defined by care, consideration and an unwavering cynicism. From his earlier stripped…

  • Pumarosa – The Witch

    May 16, 2017 - By 

    Imagine you have a piece of rope, approximately two metres long, with a diameter of approximately 11mm. Create two bunny ears in the rope, cross them over, make the bunnies run round the tree, watch the bunny jump in the hole, pull tight and voila – you’ve created your first knot. Add a few more, such as a bowline, figure eight and square knot and eventually you’ll be left with a tangled mess that is, scientifically speaking, significantly weaker than the original piece of rope. You’ve twisted and contorted the rope to such extreme proportions the tensile strength has been…

  • Moon Duo – Occult Architecture Vol. 2

    May 12, 2017 - By 

    The double album is a much maligned concept nowadays, something that can be thrilling when done right but is far more often overly long and bloated, easily chopped down to a single album of highlights. The announcement of a double album release sets alarm bells ringing as fans start to worry about their favourite bands’ ambitions starting to fly a bit too close to the sun. Perhaps splitting them up into a part 1 and 2 is a good way of keeping things less bloated, but then of course the records both have to be good enough to justify buying…

  • At The Drive In – in•ter a•li•a

    May 9, 2017 - By 

    For a long time, it was hard to envision any kind of world where El Paso’s At The Drive-In could amicably sit silently in a room with one another, let alone make music together. Not that there weren’t calamitous appeals from legions of devotees. These five men crafted the most indispensable punk music of the 1990s. Along with Refused and Jawbreaker, they earned a level of adoration and obsession that few can only dream. As time rolled on and lucrative reunion tour deals reared their ugly heads, these fantasies began veering alarmingly close to reality. Now, Refused are fucking undead,…

  • Big Walnuts Yonder – Big Walnuts Yonder

    May 10, 2017 - By 

    A lifelong self-professed student of the bass, Mike Watt has tirelessly explored the instrument’s intricacies since his teenage forays into punk rock with D. Boon in Minutemen. Watt’s subsequent four-decade career has seen him play with a slew of bands and collaborators, influencing countless players along the way. Through his tenure with fIREHOSE, Dos, and in later years The Stooges and current freeform trio Il Sogno Del Marinaio, Watt has bounced between genres, musicians and continents playing his trade; mastering his instrument. It was in Japan that the genesis for Big Walnuts Yonder began, from a conversation between Watt and…

  • Actress – AZD

    May 9, 2017 - By 

    Experimental music is supposed to try and expand the boundaries of the possible. It’s always something of a gamble, but a thrilling one at that. Actress, AKA London-based experimental techno artist Darren Cunningham, has thus far managed to carve a niche for himself in an area that’s generally quite difficult to stand out in. Spend enough time among his soundscapes and you can begin to easily identify an Actress track – there’s a distinctiveness to his work that Cunningham has characterised as “almost like extreme patenting”. AZD (pronounced “azid”) is his fifth album under this moniker, one that arrived with…

  • Little Dragon – Season High

    May 8, 2017 - By 

    Little Dragon are a band that have bumped along quietly since they first appeared with their self-titled debut album in 2007. While they’ve never troubled the top of the charts, they’ve trodden their own path, making solid synth-pop albums while also collaborating with various acts in the hip-hop/R’n’B firmament, with singer Yukimi Nagano lending her vocals to tracks by Big Boi, Mac Miller and Kaytranada among others. After ten years, four albums and numerous EPs they’re on to their fifth full-length effort, ‘Season High’. The album, much like their previous efforts, is a mix of styles with multiple genres being…

  • Thurston Moore – Rock N Roll Consciousness

    May 8, 2017 - By 

    There is barely a facet of modern rock and indie that doesn’t have at least some minor degree of separation from Thurston Moore. During and since his time with Sonic Youth, Moore has collaborated with a formidable raft of musicians, be it via stage or studio, not to mention giving Ian McKaye a run for his money in the talking head department when it comes to music documentaries. His presence in modern music is ubiquitous, so it seems almost slack that Rock n Roll Consciousness is only his fifth solo release. Give him a break, though. Moore is a busy…

  • Ciaran Lavery – A King at Night: The Songs of Bonnie Prince Billy

    May 5, 2017 - By 

    Will Oldham, aka Bonnie ‘Prince’ Billy, releases his new album Best Troubadour this month, a collection of covers of songs by Merle Haggard , who Oldham describes as his “forever hero”. Yet the prolific Oldham is something of a hero himself to many, name-checked in songs by Half Man Half Biscuit and Jeffrey Lewis, cited as a primary formative influence on a young Arab Strap and covered by the likes of The Frames, Mark Kozelek and even Johnny Cash, yet he remains firmly in the “cult favourite” bracket, where in a more fair and just world he’d surely be subject to the…