• Anohni – Paradise EP

    Anohni is not afraid to be political. This was obvious with her previous release, 2016’s critically acclaimed Hopelessness, where songs like ‘Violent Men’ and ‘Crisis’ were an angry manifestation of a frustration at the state of modern society. While similar thematically, Paradise is a more despondent reflection, slowly building with the quiet and human admission that  “in my dreams, you don’t love me” (‘In My Dreams’). This refrain sets a scene for the emotions of the six-track EP. Paradise, Anohni’s sophomore release (outside of those albums she released as part of Antony and the Johnsons) shares the same anger, and…

  • Paddy Mulcahy – The Words She Said

    The finest ambient music often finds the artist mining the barriers and plundering the gaps between analogue and digital. Julianna Barwick uses layers and loops to convert her own voice into a universe of sound. Ian William Craig feeds his operatic tones through layers of fuzz to create something quite brilliant and utterly unique. William Basinski’s Disintegration Loops chart the sound of old, decaying tapes, meant to be digitised – quite literally – falling apart as he lets them play out on rotation. The new record from Limerick’s Paddy Mulcahy has something of this feel to it. Mulcahy explores (in…

  • Tennis – Yours Conditionally

    Making sweet sweet music with your significant other can go one of two ways. The chemistry you have as a couple (good or fractious – Rumours, anyone?) can translate effortlessly when improvising with lyrics and arrangements, eventually expanding into solid soundscapes. It’s akin to building a life or home together, it is a gradual journey that unfurls to represent the couple. On the contrary, a musical duo brought together in matrimony can spawn songs that are, at times, uncomfortable to listen to, presenting a sort of audio PDA. Tennis often waver between these scenarios. In the past they have written…

  • Lawrence English – Cruel Optimism

    I find it difficult to listen to Lawrence English‘s new album, Cruel Optimism. On first play, I thought it was “suitably bleak”. Further attempts sent me into a mini spiral of despair, thoroughly ruining whole days with its depressive claws. I left it for a while, returning to it tentatively in the hope of gaining more understanding. The album’s title comes from a work by Lauren Berlant, in which she posits that modern desires stand in the way of true growth. Whatever my inferences, English writes that the album is a “meditation” on the challenges we face in today’s world,…

  • HAWK – She Knows

    HAWK are a Berlin-based, grunge-infused indie rock band who, since their formation in 2013 have had a tendency to address social and political issues through their music, all the while blending dark tones with sometimes delicate and sometimes ferocious arrangements and ethereal vocals. The band’s latest release, She Knows, builds upon the foundations laid by last year’s HAWK EP.  ‘Introduction’ starts the EP on the right footing, a largely atmospheric piece that builds into crashing drums, crunching distortion, and powerful vocals.‘Take it Away’ then, the EP’s second track shows the band embracing a newer, heavier sound. Starting delicately and quickly building into…

  • Sorority Noise – You’re Not As ___ As You Think

    Like it or not, emo music has been revived. Acts like Julien Baker, American Football and Modern Baseball have gained enough scope to evolve and define what emo music is and what it aims to achieve, and while defining what is classed as emo music is an entirely different kettle of fish, it’s fair to say that associating it with long black fringes and pubescent frustrations is something of the past. On You’re not as ____as you think, their third album , Sorority Noise dive into the depths of depression and death and the ways of coping with them, firmly planting…

  • Julien Baker – Sprained Ankle

    Julien Baker’s debut album Sprained Ankle lures us in with a curiously intimate complexion; it almost feels too intimate to be listened to casually, as if we’re flicking through the most private parts of Baker’s life, gazing in empathetic awe without even introducing ourselves. It’s a one way conversation with stark, personal subject matters such as relationship anxiety, depression, religion and death, and all we can do is listen. Sprained Ankle was originally released in 2015, but is now being reissued on Matador. It’s hard to comprehend that the album is a year and a half old given that nothing…

  • Laura Marling – Semper Femina

    There’s a criticism that’s hard to make of Semper Femina; despite tracks that are ostensibly about the breadth of human emotion, chronicling love lost, found and thrown away across platonic and romantic partners there’s a flatness of feeling that permeates the majority of its forty-two minute running time. That may be surprising for any fan of Laura Marling, known especially for her sensitive heart and sage like maturity and wisdom, but here on her sixth album it seems she’s almost sleepwalking through a terrain she’s carefully cultivated over the last decade. Let’s be clear, the record doesn’t come across as…

  • Hurray For The Riff Raff – The Navigator

    On paper, what about a blues folk concept album dealing with a young Puerto Rican’s perspective of her city and homogenisation of her culture should work? On genre level, it’s far too grand an idea. This almost operatic scope isn’t suited to the gritty sensibilities of folk or blues music. Their key hitters are typically the minor, metaphorical pieces which possess a great deal of power and heft, but which diluted at scale. Even on the thematic level, it shouldn’t work. The loss of and longing for some kind “home” is well-trodden ground, but the metropolitan Hispanic immigrant version doesn’t…

  • Field Trip – Evening’s Over EP

    There’s something so interminably pleasant about Evening’s Over, the latest EP from pop rockers Field Trip. An undeniable ennui and melancholy run throughout. Yet they’re wrapped up in an infectious brand of pop goodness that’s hard not to get lost in. Yet these aren’t throwaway nuggets. The band understands how to introduce scope and scale into what could otherwise be inconsequential mush.   Take the opener ‘Wait’, for example. It starts off as a twitchy, yet straightforward indie pop track with a great big meaty fuzzed out chorus. But by the midpoint of the song, we transitioned to shredding solos…