• Grandaddy – Last Place

    There are very few bands that can take a song and transform its tapestry multiple times within a four minute period. There are even fewer bands that execute this boldness in experimentation successfully. This impulsion to deviate from compositional convention is oft cited as self-indulgent or messy. Grandaddy, a band that have thrived on the lo-fi and literal homemade music have mastered the art of rogue arrangements. They have become known for creating a musical landscape populated by straightforward analogue instruments that co-exist with newer devices and effects to pave a route of meandering melodies. On paper, Last Place – Grandaddy’s…

  • Sleaford Mods – English Tapas

    Sleaford Mods are some of the last punks standing. Their songs are slim, no muss, no fuss affairs. Like ESG before them, the pair rely on a basic setup of bass and drums to carry hip hop infused vitriol to the listener. They are lyrically snotty and upfront with tales of frustration and degradation at the hands of a society which has bred and demeaned them. What their words offer is an insight into the world of the marginalised; people feeling the impact of austerity politics, Brexit and the complacency of the South to the suffering of the North. Yet it…

  • Ibibio Sound Machine – Uyai

    Ibibio Sound Machine are back with their second album, Uyai. The scintillating record which lands today via Merge shows the group on top form with a sound that is bigger, bolder and funkier than ever. The London-based collective, led by front woman Eno Williams, have returned with an assured mastery of their sound. Inspired by the golden era of ‘70s and ‘80s disco and funk, the overall tone is a colourful fusion of West-African grooves, brassy electronics, modern pop tempos and powerful synths. There’s an air of fearlessness about this release. Focusing on themes of empowerment, freedom, courage and the…

  • Stormzy – Gang Signs & Prayer

    Almost fifteen years after bursting out of East London, grime has officially taken over the mainstream. The genre, originally popularised by the likes of Dizzee Rascal, Wiley and Kano, has had a sudden second wave and has been creeping up AOTY lists and making loud impressions at the Brit Awards. Out of this second wave has emerged Michael Omari AKA Stormzy. The Thornton Heath based 23 year old racked up a ‘One To Watch’ nod at BBC’s Sound of 2015, has won Best Grime Act twice at the MOBO Awards and has scored a summer of appearances at some of the UK’s…

  • Sun Kil Moon – Common As Light And Love Are Red Valleys Of Blood

    In his fifty years on this earth Mark Kozelek has, as he informs us on this new record, lived many lifetimes. His listeners have lived a large part of them too – from his Red House Painters days in the ‘90s, through his solo work and with Sun Kil Moon, Kozelek has never shied away from baring the hard truths and hurts as well as indulging in the simple joys. Album number eight, despite being a double, is a more condensed temporal experience, recounting the same number of months in the singer’s life from January to August in 2016 while…

  • Los Campesinos! – Sick Scenes

    Remember when we thought George W. Bush was as bad as it could get? What idiots we were. That’s the thing about getting older; hindsight will always make even your deepest insights ridiculous and your perception of what’s truly bad a constantly rising gradient on a graph that ends in a point with a flaming eye at the top. Or something. The point is that looking backwards has a way of creating context but also highlighting some of the folly of our endeavours. So it’s best to take it with a pinch of salt. Case in point is Los Campesinos!…

  • Molly Burch – Please Be Mine

    Love hurts and yet all you need is love. The myriad of feelings that love rouses – infatuation, euphoria, inner-peace, anguish, despair, heartache – is steady inspiration for songwriters. Beautiful songs have been written about the splendour of being in love but even better songs are been born from a lovelorn place. Patsy Cline enjoyed incredible success singing about feeling lonesome and driven to despair by love. Commercially, if you were a female vocalist (solo or in a group) to sing about an unrequited or prematurely ended romance meant that you were relatable and accessible. It’s an ageless and universal…

  • Hanni El Khatib – Savage Times

    Having released five EPs last year, Hanni El Khatib has returned with a newer, fuller collection Savage Times. A colourful, 19-track release that mixes everything from garage rock to punk and disco the LP embraces diversity and celebrates taking pride in who you are. The record seems a little messy and disjointed upon the first listen, hopping from grungy garage-rock stylings to funky, disco-infused melodies and on to bluesy crooner tracks. It doesn’t immediately betray a typical album smoothness. . .  but that’s kind of the point. The San Francisco native was born to parents from Palestine and The Philippines,…

  • Looking Svelte – Gelatine

    It’s not always wise to read too much into a record’s title, but in this case, it feels spot on. Gelatine, the debut EP from Looking Svelte, is a hot mess: thick and viscous, gluey and amorphous. It recalls at times the dense sounds of celebrated avant-gardists Gang Gang Dance and Purity Ring, along with the DIY aesthetic of WIFE (aka James Kelly of Altar of Plagues). But like the best of those projects, when you peel away the layers of reverb and distortion, there’s a pop song at the core. Looking Svelte is the stubbornly lo-fi, decidedly high-tech solo…

  • Cloud Nothings – Life Without Sound

    Cloud Nothings make their return this year with their fifth album, Life Without Sound. Dylan Baldi’s bedroom recording project has evolved over the years, from the lo-fi stylings of the self- titled debut, to the classic indie rock of Attack On Memory and then into the throat-shredding intensity of 2014’s Here And Nowhere Else. The latter was undoubtedly the highlight of their career so far, mixing great songwriting with forceful production and furious performances from Baldi and his band. So, to 2017 and Life Without Sound. On first listen the album is underwhelming when compared to previous efforts. Baldi has…