• The Breeders – All Nerve

    March 3, 2018 - By 

    J.R.R. Tolkien once wrote that the compound noun cellar door was one of the most beautiful words in the English language. I’m not a linguist or etymologist by any stretch, but I’d like put forth a phrase which I think captures the same awe as Tolkien’s… Kim Deal has a new album. Those six little words when drawn together represent a powerful sentiment in the English language. This is the woman who made the Pixies what they were. One of our great songwriters, a person who can captivate, exhilarate and intoxicate with the most impossibly simple chord progressions, has returned.…

  • Superorganism_The_Thin_Air

    Superorganism – Superorganism

    March 3, 2018 - By 

    Superorganism are to music what memes are to art. In the space of just one year they’ve managed to capture a sound that is both easily digestible and instantly recognisable. One which is synonymous with the online age that we live in as they curate the sound of endless YouTube holes and trips to “the weird part of the Internet”. Their self titled debut comes in at just over 30 minutes, and is laden with short songs that cut straight to the point. High Definition synth and guitar hooks are grounded by the lo-fi voice of singer Orono Noguchi. Her lyrics…

  • S. Carey – Hundred Acres

    February 26, 2018 - By 

    Try as we may, it is difficult to separate S. Carey’s music from that of his long-term collaborator and Bon Iver bandmate, Justin Vernon. Despite two full-length solo albums and two EPs being released in the past eight years, it’s been hard to dispel that intrinsic comparison. His third LP, Hundred Acres, does little to change that.  Written over the course of a few years, Carey’s third full length release was crafted while his family grew and touring was intermittent. The Bon Iver influence is, as one might expect having listened to Carey’s previous offerings, obvious as ever. If there is a defining difference, it…

  • Ought – Room Inside The World

    February 21, 2018 - By 

      The word ‘ought’ touches on probability; the coulds, woulds and shoulds. It is a word often used with critical intent to highlight the shortcomings of a project. Room Inside The World, the third album from Canadian post-punk quartet Ought brings forth an unfortunate case of nominative determinism. What should have been a triumphant return instead presents a band struggling to find their identity and a cohesive sound in the light of a changed dynamic. On their latest record Ought scarcely resemble their formerly distinct selves, shifting instead towards a style that veils their individuality. This is a record that…

  • U.S. Girls – In a Poem Unlimited

    February 20, 2018 - By 

    Six albums in, Meghan Remy’s U.S. Girls project shows few resting on its laurels. Having originally dealt in lo-fi loops and drones on earlier records like Go Grey, subsequent releases saw her pop sensibility rise increasingly to the fore, culminating in her 4AD debut and one of 2015’s finest albums, Half Free. Eagerly anticipated follow up In a Poem Unlimited has carried that trend on with aplomb. Not only is the new LP Remy’s most widescreen, pop-heavy outing yet, it’s also her most political. Her lyrical ethos here can be summed up with the title of ‘M.A.H.’, short for ‘Mad…

  • Dedekind Cut – Tahoe

    February 20, 2018 - By 

    Dedekind Cut is the current pseudonym of Northern California based experimental composer & producer Fred Welton Warmsley III. His 2016 debut $uccessor was a singular piece of work, an abstract, opaquely kaleidoscopic fusion of paranoia and dread, sonically teased out via digital/analogue and synthetic/organic contradictions. If that record edged into the far corners of noise and drone music, then its true successor plumbs depths equally as distant. Named after the mountain lake town in which its creator – who used to produce and release music as Lee Bannon – resides, a multitude of sonic components make up the macrocosm of…

  • Rejjie Snow – Dear Annie

    February 16, 2018 - By 

    Rejjie Snow had been knocking around for the best part of a decade now without a “proper” release under his belt (though 2017’s The Moon & You mixtape was excellent). In the six years since he broke onto the scene with ‘Trumpets’, the Dublin-born rapper has gone from being a YouTube buzz artist to collaborating with Joey Bada$$, supporting Madonna and hanging out with King Krule so fast that it’s hard to know exactly when the turning point really was. Any one of these things would have been the dream come true for a boy from Drumcondra and yet Mr. Snow – real name  Alexa Anyaegbunam – achieved…

  • Brigid Mae Power – The Two Worlds

    February 13, 2018 - By 

      We’re all guilty of living between two worlds. Personal and private, work and leisure, pre “this” and post “that” comprise just a few. God forbid should they ever crossover; most of us fight losing battles to keep them apart, whether the consequences are trivial or something much darker. Brigid Mae Power does not seem to be such a person though. The Galway based singer-songwriter runs at her demons head-on throughout her third full length album The Two Worlds, and the fallout of such a collision is a staggering beauty to behold. Under the support of the #MeToo movement, Power recently…

  • MGMT – Little Dark Age

    February 10, 2018 - By 

    MGMT are back, a decade after their acclaimed debut Oracular Spectacular was released, and five years after their convoluted self-titled made its way onto the airwaves. After their initial success, Andrew VanWyngarden and Ben Goldwasser barrel rolled into a neo-psychedelic space that alienated the majority of their followers. This, of course, would have been a respectable, admirable decision from the duo had they produced something half-decent in that case. No one expected 2010’s Congratulations, an album that left the fans who revelled in the hooks and fist-pumps of ‘Kids’ and ‘Time To Pretend’ abandoned in a pit of half-baked, self-indulgence that aspired…

  • Franz Ferdinand  – Always Ascending

    February 9, 2018 - By 

    After the Glasgow School of Art was severely damaged by fire in 2014, it was argued that the extensive coverage afforded to this incident was greater than the actual public interest in the Mackintosh-designed institution itself. Some bands, burdened by instant debut success, similarly linger long in the memory of music critics long after the record-buying public has moved on. Enter one-time art school alumni Franz Ferdinand, who have managed to side-step the indie landfill of the mid-noughties by releasing five solid albums (six if we’re including the 2015 collaboration with Sparks) of arch art-pop. And still, they command considerable…