Maurice Sweeney didn’t want to make a Spotlight special, lost in the evening television schedule, he tells the audience after a screening of I, Dolours, his hybrid documentary about Dolours Price, the late Provisional IRA volunteer, bomber and hunger striker. He wanted to make a movie. Party it’s strategic: a movie gets a slot at doc festivals like Pull Focus, attracting a packed multiplex audience. Partly it’s a way to use story-telling to do justice to Price’s extraordinary story of a life as a Republican soldier. On this ambition, the often-harrowing film is half-successful. I, Dolours tells the story of the Troubles and…