• Stonemasons – Lost Letters EP

    There is a strange significance to this idea of an artist belonging to somewhere; Joyce belongs to Ireland, Martin Scorsese belongs to New York and NWA belong to Compton. Is it that there is this collective longing to, in someway, be involved in something bigger than ourselves? That, by virtue of having been in Dublin in the early 20th Century, 1970s New York or 1980s Compton, we can somehow feel as though part of something great? Maybe it’s the idea of being heard; that by having a voice that belongs to our home, we can all band together and feel…

  • Cruising – Cruising

    Sometimes a band name can elucidate the direction in which its songs will travel.  Cruising are a case in point, named after a book/film delving into the dark underworld of a serial killer who picks up homosexual men from the New York S&M scene to murder.  EP cover emblazoned with a black leather biker jacket, band name studded across the shoulders, and PVC leather hat a la Jesse “Boots Electric” Hughes, worn in promo photos runs with the theme. There’s more than a whisper of iconic female rockers like Joan Jett, Siouxsie Sioux and Poly Styrene.  Understandably so, given that…

  • Tandem Felix – Comma EP

    On their new EP, Comma, Dublin’s Tandem Felix have toned down the gritty anxiety that added a particularly distorted, glitching atmosphere to their 2013 EP, Popcorn. That grit, which gave Tandem Felix’s folkier basis a very psychedelic edge, has been twisted slightly to incorporate less abrasion and a little more lap steel guitar. The result is that Comma’s five tracks bear a lot of similarity to the likes of Beck’s Sea Change or Morning Phase, or to the more tender points in Wilco’s discography.  That’s not to say that the anxiety is gone, however. The lyrics express the same sense of…

  • Robocobra Quartet – Bomber EP

    In the quest for the new sound, the path is one paved with ambitious intentions and fraught with admirable failed experiments and laughable attempts at the avant garde. Lou Reed’s Metal Machine Music is a terrible album that forces the listener to reconsider what they might constitute as real music, while Lulu is an album where James Hetfield feels it appropriate to yell “I am the table”, while Lou Reed’s withered husk struggles to sing some Burrowsian tripe. Both of these releases are burying their fingers in the earth, digging for something and coming up with dirty fingers. There are…

  • Hot Cops – #1 Babes

    Arguably one of the most exciting and idiosyncratic Irish indie-rock bands of a generation, Belfast-based three-piece Hot Cops are teetering on the brink of some great things in 2015. Released immediately off the back of their stellar double-single ‘Origami/Novelty’, the band’s new four-track EP, #1 Babes, coyly, often cryptically renders instability, heartbreak, and the human condition in first-rate, wanderlust-tinged lo-fi glory. Positively bursting at the seams with fuzzed-out tangents, earworming refrains and masterfully nonchalant hooks, the Carl Eccles-fronted threesome’s cunningly off-kilter, slacker-soaked anti-anthems instantly evoke their main influences in Pavement, Deerhunter and Cloud Nothings. At the root of that is…

  • R51 – Pillow Talk EP

    Belfast’s R51 latest EP, Pillow Talk, has got powerful weapons hidden in it’s arsenal. The release is awash with lush guitars, brutal riffs and a genuine excitement. The influence of the Smashing Pumpkins, Sonic Youth and My Bloody Valentine is evident throughout. However, rather than parroting what those bands have done, the band seem intent on mixing these sources with their own voice to create something refreshing. Centrally though, the band seem intent on straddling that fine line between artistic and accessible and while they may not always be successful in that goal, they still knock it out of the park…

  • Arctic Tern – Leaves EP

    Having released the extremely promising Paperboats EP last march and a double single at the tail-end of last year, Holywood-based folk singer-songwriter Chris Campbell has returned at an apt juncture in the year under a new music-making moniker: Arctic Tern. Having pertinently conjured darkest and coldest season in his nom de plume, the title of his new six-track EP directly references the decidedly Autumnal air and ponderous undercurrents woven throughout the release.  Beginning via lone and languidly strummed chords, opener ‘Love Is Not A Game’ gradually blossoms into as a wonderfully produced full-band effort with Campbell’s voice taking centre stage. Whilst contemplative and considered…

  • Cordials – Cordials EP

    With the north coat really having carved a niche in recent years – to the extent that punk, post-hardcore and post-rock practically soundtrack the area – it’s refreshing to hear a band from the area who don’t feel obliged to be boxed in with the usual names. A trio from Coleraine & Portrush, Cordials in their self-titled EP tread paths not a million miles away from heartfelt classic power-pop/college rock bands in the vein of Teenage Fanclub and The Replacements. From the onset of opener ‘Metal Man’, the classic lo-fi overdriven chiming wall-of-sound has been implemented appropriately, allowing the EP…