• My Problem With Modern Horror

    October 31, 2013 - By 

    Fuck Horror. As grandiose as a statement that it is, I hate most modern horror films. Not because I intrinsically hate the genre, nor because I am a cynical, hate filled cretin. No, I hate modern horror because it categorically spoils the things necessary for horror films to work. To be blunt, horror has always been somewhat of a second string cinematic genre. With it’s central aim being prick-teasing animal instincts, it’s no wonder that most horror films have been the kind of cheese ridden b-movie that one associates with Hammer and Christopher Lee. For the greater part of cinema…

  • Horror songs: The Intense Humming Of Evil

    October 30, 2013 - By 

    There is no denying that the Manic Street Preachers’ third album, The Holy Bible, is a distressing listen. The album represents some of the final days of Richey James Edwards and gives us an insight into a mind that is as unsettling as it is compelling. Edwards penned songs about self-destruction, societal breakdown and the holocaust with a level of poeticism seldom seen in rock music. This poeticism gives way to terror on more than one occasion and is best typified with the gut-curdling holocaust themed ‘The Intense Humming Of Evil’. We begin with the sound of clanging metal and gaseous release. We begin…

  • Getting re-acquainted: Blue Öyster Cult – (Don’t Fear) The Reaper (1976)

    October 30, 2013 - By 

    A coiling guitar figure wraps itself around your consciousness, drawing tighter and tighter. And then… and then… the cowbell comes in. This, my friends, is as good as it can ever get. Blue Öyster Cult had been a rather gnarly biker-rock band, all greasy hair, leather trousers, and weird, occult imagery. They even had their own runic symbol, man. Their first three albums are packed with post-Altamont death jams, best summed up by the fantastic ‘Career of Evil’ from their third album, Secret Treaties, a song that begins with the lines, “I plot your rubric scarab, I steal your satellite, I…

  • Interview: John Carpenter

    October 25, 2013 - By 

    As movie directors go they don’t get more legendary than the pioneering, inimitable and boundlessly influential John Carpenter. From his 1978 landmark horror debut Halloween to innumerable other cult classics including Escape from New York, Dark Star, Assault On Precinct 13, The Fog, The Thing, Starman, Big Trouble In Little China and They Live, his ever-increasingly legacy as one of the most important directors in the history of cinema is beyond refute. With Samhain lingering just around the corner, Will Murphy grab a few words with the man himself, touching on comics, composition and Kickstarter campaigns. Firstly, I’d like to ask about new…