• EP Premiere: Paper Dogs – The Lost Art of Conversation

    If there’s one thing the island of Ireland has no shortage of it’s straight-shooting rock bands. But one such act that has developed that foundation to skilfully – and often very convincingly – accomadate the influence of blues, funk, indie rock and much more besides is Belfast quartet Paper Dogs. Counting such heavy-hitters as Pink Floyd, Miles Davis, Thin Lizzy and Black Sabbath, amongst their key influences, the Chris Rooney-fronted band – an increasingly established staple on the live scene up North over the last while – doth their collective cap to a certain grade of genre-defining greats whilst very consciously framing that imprint with their…

  • Video Premiere: Malojian – I’ll Be Alright

    Featuring footage of the Stevie Scullion-fronted band recording their forthcoming new album, This Is Nowhere, with Steve Albini in Chicago early this year, the video for ‘I’ll Be Alright’ by Malojian captures a band very much in their element. Also featuring Joe McGurgan on bass and Michael Mormecha (also of Mojo Fury et al.) on drums, their journey was fully captured by Belfast-based photographer and The Thin Air contributor Colm Laverty; make sure to keep an eye out for the full-length reveal of that soon. The lead track from This Is Nowhere, ‘I’ll Be Alright’ is Malojian at their sharpest. With beautiful harmonies…

  • Premiere: Hiva Oa – mk2 (part 1) EP

    With core members Stephen Houlihan and Christine Tubridy having recently returned to Belfast from Edinburgh Hiva Oa are an outfit currently experiencing a well-earned revelatory upswing. Drawing from the limitless realms of fear, loneliness, abandonment and awakening, their new EP, mk2 (part 1) is an emphatic, wonderfully-realised dose of experimental electronica that wears the influence of Radiohead, in particular, on its sonic sleeve. Where this would perhaps prove a hindrance for other acts of their ilk, Tubridy and Houlihan filter that imprint via a much vaster palette of sound, conjuring everyone from The Twilight Sad, Interpol and Jeff Buckley across the release’s four tracks. Though still…

  • Album stream: Oh Boland – Spilt Milk

    While the West of Ireland’s favourite garage-rock, sloppy pop trio Oh Boland commence their travels across America over the next three weeks, those of us at home wait with baited breath for the release of their debut LP Spilt Milk on September 30th via San Diego label Volar Records  (at long last I hear you cry!) In anticipation for the official release you can now stream the album in its entirety over on Volar Records’ Bandcamp. With lyrics rooted in boredom, apathy and vague tragedy, Niall Murphy’s vocals are playfully sardonic while the rhythm section of Eanna MacDonnchadha (bass) and Simon McDonagh (drums) keeps things…

  • Watch: I Am The Cosmos – Letting It Go

    Masters of the oblique, Dublin electronic duo Ross Turner and Cian Murphy AKA I Am The Cosmos have never been in the trade of empty self-promotion. Have grew up in the suburbs of the city together before forming in 2010, the pair have just unveiled their first ever music video for galvanic new cut ‘Letting It Go’. Directed by long-time IATC collaborator Dorje De Burgh – himself a masterful photographer with an eye for wonderfully cabalistic imagery – it’s a mesmerising accompaniment drawing inspiration from rare footage of Arthur Russell. Touching on the track’s subject matter, Turner said, “The lyrics are a reaction to social dynamics – people playing games with…

  • Stream: Vogelbat – Ovl (feat. Sad Mermaid)

    Berlin-based Kilkenny producer David Sheenan AKA Vogelbat last caught our ear back in February with ‘Banx’, a track Eoin Murray called “a jittering slice of melodic trip-hop reminiscent of Bonobo or FKA Twigs, or the less jarring parts of Oneothrix Point Never’s catalogue”. Seven months on and Sheenan’s latest track ‘Ovl’ – featuring vocals from Berlin’s Katharina Burchin AKA Sad Mermaid – also slots very nicely into that particular description. Sheehan said, “It’s influenced by the likes of Portishead and Massive Attack. I’ve been working on it for quite a while, struggling with the mix, aiming for a lush sound without…

  • Stream: No Monster Club – Hippocampus Circus Maximus

    A typically buoyant effort clinging – rather impressively – to the last fleeting vestiges of summer vibrations, ‘Hippocampus Circus Maximus’ is the closing track from Dublin’s No Monster Club’s forthcoming debut 7″, Where Did You Get That Milkshake. Despite having released a dozen albums to date at home, the release will also mark Bobby Aherne’s abundant indie-pop project’s debut US release. Irish folk, have a pre-order here. Want a song to hum for the rest of the day, week – month? Stream below.

  • Premiere: Arborist – I Heard Him Leaving

    With a sound in which subtlety holds sway where a scream would fall short, Mark McCambridge AKA Arborist is a craftsman of nuance. With his debut full-length album, Home Burial, set for release on November 11 via Kirkinrola Records, the Belfast-based singer-songwriter’s recent single ‘A Man of My Age’ garnered comparisons to such venerated figures as Leonard Cohen, Bill Callahan and Jason Molina with very good reason. In knowing there’s no need to clothe a skeleton, McCambridge’s knowingly stark, wonderfully composed songs put the cutting phrase and heavy allusion centre-stage, each lyric lit by softly lilting Americana folk betraying both longing and hope…

  • Inbound: Brand New Friend

    As the seasons inevitably turn and summer ambles into autumn, sometimes you need music to augment the mood and bridge that interim between the party and the comedown; the wind-down from long evenings boozing by the canal and the sinking realisation that it all has to finish up sometime. That seems as good a time as any to welcome a brand new friend into your life – four of them, more accurately – playing a blend of sad and raucous, joyous and melancholic songs about love and other less important things. Initially Taylor Johnson’s solo endeavour, the addition of his…

  • Inbound: Rory Grubb

    Rory Grubb may be a singer-songwriter, but he isn’t exactly the kind of artist that term brings to mind. Third album Water House, his first in seven years – apparently “pieced together in rural Kilkenny between 2010 and 2012, over two very cold winters, in buildings without insulation” but only now seeing the light of day – amplifies the idiosyncrasies of previous album Sketches From The Big Sleep and brings them closer to the surface, as he mixes acoustic and electronic instrumentation along with homemade instruments like his impressive electric ceramophone – an array of ceramic pots spanning the musical…