• Stream: No Monster Club – Hippocampus Circus Maximus

    A typically buoyant effort clinging – rather impressively – to the last fleeting vestiges of summer vibrations, ‘Hippocampus Circus Maximus’ is the closing track from Dublin’s No Monster Club’s forthcoming debut 7″, Where Did You Get That Milkshake. Despite having released a dozen albums to date at home, the release will also mark Bobby Aherne’s abundant indie-pop project’s debut US release. Irish folk, have a pre-order here. Want a song to hum for the rest of the day, week – month? Stream below.

  • Premiere: Arborist – I Heard Him Leaving

    With a sound in which subtlety holds sway where a scream would fall short, Mark McCambridge AKA Arborist is a craftsman of nuance. With his debut full-length album, Home Burial, set for release on November 11 via Kirkinrola Records, the Belfast-based singer-songwriter’s recent single ‘A Man of My Age’ garnered comparisons to such venerated figures as Leonard Cohen, Bill Callahan and Jason Molina with very good reason. In knowing there’s no need to clothe a skeleton, McCambridge’s knowingly stark, wonderfully composed songs put the cutting phrase and heavy allusion centre-stage, each lyric lit by softly lilting Americana folk betraying both longing and hope…

  • Inbound: Brand New Friend

    As the seasons inevitably turn and summer ambles into autumn, sometimes you need music to augment the mood and bridge that interim between the party and the comedown; the wind-down from long evenings boozing by the canal and the sinking realisation that it all has to finish up sometime. That seems as good a time as any to welcome a brand new friend into your life – four of them, more accurately – playing a blend of sad and raucous, joyous and melancholic songs about love and other less important things. Initially Taylor Johnson’s solo endeavour, the addition of his…

  • Watch: Windings – You’re Dead

    Limerick’s well-loved and broadly respected outfit Windings returned yesterday with ‘You’re Dead’, the first track to be unveiled from their forthcoming fourth album Be Honest and Fear Not. Four years since the release of their quietly triumphant I Am Not the Crow, the five-piece has never been the type to operate on anyone else’s timeline or rush releases, instead always opting to operate at their own pace. After showcasing two new tracks, ‘Stray Dogs’ and ‘Helicopters’, some time ago, ‘You’re Dead’ is paired with a delicate video by Stephen Boland featuring psychedelic colouring over monochrome backdrops, floating along perfectly with the songs flow. Like a strong…

  • Angel Olsen – My Woman

    I’ve never been able keep a diary. Having to articulate and make sense of the thoughts that muddle my mind used to be a terrifying and daunting ordeal. The first song I heard by Angel Olsen was ‘The Waiting’, from her first full length studio album, Half Way Home. In this song, she sings about fruitlessly and foolishly waiting for someone to reciprocate a feeling of fulfilment that we are capable of giving to ourselves. It just takes a little time to reach that realisation.That shift from interdependence to independence allows you to appreciate the inevitable contentions in life as a twenty-something with an unfettered honesty…

  • Premiere: SKYMAS – No Easy Way Out

    One of the country’s most compelling live outfits, Belfast duo Martin Corrigan (ex-Alloy Mental) and Nick Todd AKA SKYMAS are an act that aim straight for the sonic jugular. With their aim to create tracks that “can channel the fundamental, super physical energy from beyond our everyday world” their new Dave Lievense-produced single ‘No Easy Way Out’ bears the hallmarks of their propulsive electro-rock craft to date: pounding rhythms, powerful textures and brazen lyrical gusto. Tipping their hat to musical and philosophical forerunners ranging from Fela Kuti, Steve Albini and John Lydon to David Bohm, Robert Anton Wilson and Alan Watts, Corrigan and Todd’s…

  • Inbound: THUMPER

    Dichotomies can define a band or artist throughout their bodies of work, their lives and their legacies. When things beloved by musicians run in contrast, the results are often frightening, awkward, yet compelling and almost always (sometimes accidentally) in the spirit of their time. Case in point: Dublin quintet THUMPER’s most recent release ‘Magnum Opuss’, thrown out via Little L Records on that label’s customary lash of handmade tapes, as well as via Bandcamp. Sonic Youth might serve as an obvious reference point, but the no-wave tendencies are tempered by a way with hooks best exemplified in ‘Dan the Man’,…

  • Premiere: Invaderband – Ship of Nothing

    With their self-titled debut album set for release on November 25, Derry quartet Invaderband‘s idiosyncratic brand of garage-laced artrock betrays the hallmarks of a band content in doing things their way without neglecting the power of the hook. Nowhere is that more self-evident than on their forthcoming single ‘Ship of Nothing’, an impossibly earworming three minutes that simultaneously rollicks and lulls via chopping guitar chords, handclaps, seagull samples and organ lines in confident, mercurial synchronicity. Invaderband songwriter and vocalist Adam Leonard, “Lyrically this record covers a number of disparate bases: The invasion of Iraq, ectoplasm, alien attack and Alan Rickman, and that’s…

  • Download: Fixity – FIXITY 2 & Live In What Used To Be A Church

    Cork drummer maestro Dan Walsh AKA FIXITY likes to keep himself busy. From his work and creative endeavours with The Great Balloon Race, Cork Improvised Music Club, jazz night Blue Note and many musical projects, there’s a forward-moving momentum to his multifaceted musical trajectory to date. With his first, self-titled album as FIXITY released via Cork tape imprint Kantcope in July, Walsh has just released two new releases: FIXITY 2 and Live In What Used To Be A Church, the latter released featuring Emil Nerstrand, Kevin Terry, Fortune, Declan O’Shea and Dan Walsh. A restless, six-track release, FIXITY 2 is a perfectly…

  • Premiere: Scenery – Howlin’

    Early days though it is, Derry’s Scenery have already established themselves on the live front as an act that won’t likely be slotted into a neat box any time soon. With a sound confidently traversing progressively-minded rock, soul, jazz and blues, the Stephen Whiteman-fronted band’s debut single ‘Howlin” is a feverish effort weaving wanton sax and vocals over a creeping chord progression that burrows deep. For a band proudly wearing throwback sounds on their collective sleeve, it’s a first gambit that edges into forward-looking, decidedly urgent territory. Taken from their debut EP, Far Out, exclusively stream ‘Howlin” – and check out forthcoming Scenery…