• Video Premiere: Rory Nellis – When I Sleep

    Over the last few years, Belfast artist Rory Nellis has steadily emerged as one of the country’s most respected songwriting voices. On albums Ready For You Now and 2017’s There’s Enough Songs In The World, his thoughtful, earworming craft has garnered comparisons to everyone from Conor O’Brien Villagers to Grandaddy at their most gossamer and contemplative. Nellis’ forthcoming new single, ‘When I Sleep’ is a meditative and delicately-crafted case in point. Released ahead of a new album in the works for release next year – and mixed by and featuring backing vocals from long-time friend collaborator Philip Watts d’Alton (Master…

  • Premiere: Violet Fields – All My Life

    Over the last couple of years, Berlin-based quartet Violet Fields have emerged as a force to be reckoned with within the realm of psych-leaning garage pop. Acclaimed by the likes of Clash Magazine and The Line of Best Fit, their fast rise is distilled on their emphatic new single, ‘All My Life’. Fronted by Joe Chant and Coco Ramona, the Berlin quartet’s organ-dappled, starry-eyed craft simultaneously pushes forward and throws back to an era when Britpop dominated the airwaves. This synthesis is laid bare on their brilliant, burrowing new track. Across four minutes, it makes for a slick, harmony-laden ode…

  • Video Premiere: The Bonk – May Feign

    The first of ten commandments that Captain Beefheart drilled into guitarist Moris Tepper upon joining the band in 1976 was: “Listen to the birds – That’s where all music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren’t going anywhere.” If you’ve caught The Bonk live, then you’ll know what it is to be hypnotised by exactly that pendulous meditation on a single groove, as each of their seven(ish) members instinctively weave around each other, while time falls away. Today, we’re delighted to premiere ‘May Feign’,…

  • Premiere: Panik Attaks – Mr Supplier (Live)

    Two months on from unveiling ‘Terror’ – a single that we called a heady self-exorcism from the Dublin five-piece – Panik Attacks are back with a sneak peek of some new material. It comes in the form of a live video of ‘Mr Supplier’, a nine-minute effort that, despite being a self-described “early days jam”, manages to capture the darkly push-and-pull of the Rob Walsh-fronted band’s oppressive punk craft. Shot in one take at The Meadow by SCAN, it finds Walsh in particularly possessed form, recounting a mind-bending DMT trip. Have a first look and listen below.  

  • Premiere: The Rackets – 1-2 FU/Dead Rebel

    For whatever combination of reasons, Belfast has peerless form for producing first-rate garage bands. From Them and The Wheels back in the 1960s right up to The Groundlings, The Dreads and others in the present era, the city has always reliably churned out bands wielding straight-up rock ‘n’ roll like it’s no one’s business. In the day of our Lord  John Dwyer, you need not look much further than The Rackets. A suitably elusive outfit, with an ever-revolving line-up, the band currently operate as a three-piece of Sunglasses After Dark’s Ryan Fitzsimmons, frontwoman Aileen McKenna aka This Ship Argo and the downright legendary Chappy of the aforementioned The Groundlings…

  • Premiere: Citóg Records Volume Four – Too Much Can Kill You

    On Thursday (July 11) Galway independent label Citóg Records will launch its highly-anticipatd fourth annual compilation at the Róisín Dubh. Once again, it’s a prime opportunity to hone in on just how far the label has come. Across eleven tracks, this new installment (which is titled Too Much Can Kill You) offers a remarkably varied and totally inspired snapshot of Citóg as a collective of artists, collaborators and friends. From the woozy sci-fi surf of Eoin Dolan’s ‘Superior Fiction’ and Tracy Bruen’s shapeshifting ‘Mirror’ to the inward-peering indie-folk of ‘Amsterdam’ by David Boland aka New Pope and beyond, it’s full, genre-spanning testament to the importance…

  • Video Premiere: New Pope – Not Forgotten

    Over the last while, musician, TTA favourite and Galway institution David Boland aka New Pope has drip-fed a series of sublime videos to accompany tracks from his recently-released (and downright exceptional) 2015 album, Youth. Including the one for the masterfully wistful ‘Not Forgotten’ – which we’re very pleased to premiere below – four of them the handiwork of Ray Ingram, a septuagenarian whose homespun movies from 1964 bound from the past to sync majestically with Boland’s imagined worlds. Revisit Youth in full here.

  • Premiere: Little Gem Band – Corolla Pinions

    It’s a fact universally acknowledged that many of the country’s finest forward-pushing acts exist somewhere right on the periphery. Fronted by Andy Walsh, Dublin’s Little Gem Band – a self-proclaimed coming-together of “Earth based creators of music cosmiche” – are one such act. Eponymously named at the city’s independent record label and shop, the band will release a new LP, Friyay 13, both digitally and via limited edition pink cassette on June 21st. Recorded at Jigsaw and mastered by Stephen Quinn at Analog Heart, it will be launched at Jigsaw on the same date, with support from MaryCarl Luyos and School Tour.…

  • Premiere: Sun Mahshene – This Girl I Know

    Is it towering, climactic psychgaze you’re after? Dublin’s Sun Mahshene has you covered. Out today, ‘This Girl I Know’ is the third single from their forthcoming debut album Contradictions and Tales of Fiction, set for release later this summer through Reckless Records. Its three guitars forging an impenetrable wall of sound, the song oozes Ride-worthy euphoria and the midtempo-swagger of Oasis at their most clamorous – think ‘Columbia’ via Creation Records at the end of a Danny Boyle film – helped in no small part by its production at Darklands Audio, Dublin. You can catch Sun Mahshene play The Thomas House on June 21 with Galants, or at Electric…

  • Premiere: Tomorrows – Nightshade

    A self-proclaimed fuzzy account of a long night out in Dublin (hey, we’ve all been there) ‘Nightshade’ by Dublin quartet Tomorrows is a sorcerous five-minute effort that marries slick, woozy textures with an overarching air of wanderlust. Initial recordings for the track – which will feature on the band’s new album, The Night Chorus 1 – were made on an 8 track Tascam reel-to-reel machine, before being brought to Christian Best (O Emperor, Marlene Enright) who recorded the drums and mixed the track. Driving it all home is Irish artist Ursula Woods’ sublime video to accompany the single. Shot on an Autumn evening…