Spots of the Deerhoof discography can be as mad as a box of psychoactive toads, there’s no doubt about it – though it’s hard to imagine anyone experiencing anything but a journey of enlightenment through the San Francisco quartet’s two decades of aural experimentation. Recorded over seven days (their previous outing, La Isla Bonita, was recorded in ten – swift action clearly suits them) The Magic is in many ways one of their more accessible records, a bounty of joyous freakbeat and wrecking ball riffs; discordant delights and mellifluous genre-hopping that seems even more spiritually aligned with The Ramones than La Isla Bonita was. Three…