• Ready Player One

    After Steven Spielberg changed the movie world with Jaws in 1975, he bought a cavernous Beverley Hills home and filled it with arcade machines. Newly minted and paranoid, the director also installed an elaborate security system, and refused to accept deliveries at the door. Hollywood’s hottest director and his walled-off playpen. Ready Player One is a film built for Spielberg The Younger, from Spielberg The Elder, a cautionary celebration of pop culture toy islands, a messy, whizzing trip into the lens-flare fantasies of the geek id. In Ready Player One, ‘the OASIS’ is the biggest toy-box ever invented. A giant virtual reality and intensely lucrative…

  • A Wrinkle in Time

    In ‘Anthem’ Leonard Cohen sang ‘there is a crack in everything/that’s how the light gets in.’ These lines have been adopted as an inspirational saying by many but they also reflect the idea that it is often the imperfections that make an object beautiful. Perhaps, the same can be said about the flaws in Disney’s latest big budget children’s film A Wrinkle in Time. Teenage Meg Murray (Storm Reid) is struggling following her scientist father’s disappearance four years earlier. Isolated and lonely, Meg’s grief has made as a social outcast who is out of sync with her peers and losing…

  • Watch: The Altered Hours – On My Tongue

    Having zig-zagged around Europe over the last few weeks, Cork’s finest The Altered Hours will play three highly-anticipated shows in Dublin, Letterkenny and Belfast this weekend. Ahead of those, the five-piece have unveiled Breda Lynch’s visuals for new single ‘On My Tongue’, an incandescent peak from their excellent new EP, Over The Void. Striking yet another killer midpoint between garage, noise and mottled psych manoeuvres, the track is a rousing, nigh on lustful ode to cutting totally fucking loose. Those shows: Thursday, March 29: The Grand Social, Dublin Friday, March 30: Regional Cultural Centre, Letterkenny Saturday, March 31: The Menagerie, Belfast

  • EP Premiere: Lasertom – Super Saor

    One half of Choice Prize-winning Dublin duo Ships, Simon Cullen has made sublime electronic sounds under the Lasertom moniker for a number of years now. Having focused on the former project from the last couple of years, Cullen is back in solo mode via Super Saor, a brand new three-track EP, produced written and recorded this year. With all three tracks clocking in over 7 minutes ago, it’s a deceptively expansive, synth-drenched, earworm-heavy release brilliantly blurring the lines between electro, house and nu-disco. Featuring artwork by John Rooney, have a first listen to the EP in full below. Super Saor by Lasertom

  • Dublin Set For Rebellious Jukebox YEAH! – A Celebration of The Fall

    On Saturday, April 21, Dublin’s The Grand Social will play host to Rebellious Jukebox YEAH! – A Celebration of The Fall. Set to take place almost three months on from the passing of the late, great Mark E Smith, the event will feature live music from the likes of The 202s, Afterwardness, Niall Colfer, Dez Foley, Oranges, Richer Than Astronauts, Soft on Crime, Twinkranes and more to be announced, as well as video, spoken word/poetry and DJs. This has essential attendance written all over it. Tickets are priced €10 and are on sale now.

  • VINYL Set For Royal Hospital Kilmainham

    Billed as a unique music culture event, VINYL is a brand new, three-day event set to be held on the May Bank Holiday weekend at the Royal Hospital Kilmainham in Dublin. A self-proclaimed salute to all things vinyl, it will present “an immersive theatre of the mind comprising musicians, producers, designers and filmmakers specially convened to celebrate the rich history and enduring legacy of vinyl, its landmark recordings and key personnel, the groundbreaking labels and studios that fostered such talent, with contributions and insights from some of its most perceptive champions.” Revolved around specially-programmed talks, panel discussions, curated collections, music performances,…

  • Yo La Tengo – There’s a Riot Going On

    Even though it’s a been a good five years since the last Yo La Tengo album proper – discounting 2015’s primarily covers and reworks-based Stuff Like That There – the band’s new album came about more by accident than design. Forced by software updates and the general onward march of technology to upgrade their home recording equipment, new material began to grow out of the practice room jam sessions that developed in order to enable bassist James McNew to learn how to use this new kit. Using these recordings as well as older snippets from over the past decade, the…