• Where He’s Meant To Be: An interview with Arab Strap’s Aidan Moffat

    As one half of the band Arab Strap with Malcolm Middleton between 1996 and 2006, Aidan Moffat quickly became one of the most influential voices in Scottish indie music. His unmistakable thick brogue and frank, confessional and often hilarious lyrics are reflected in so many newer Scottish bands while Moffat himself has guested with the likes of Mogwai and Frightened Rabbit over the years. Since Arab Strap’s amicable split, Moffat has undertaken all kinds of projects, from spoken word to his collaborations with Bill Wells to his electronic work as L. Pierre, to name a few. In 2014 he toured…

  • Ought w/ Autumns @ Voodoo, Belfast

    Ought are somewhat of an anomaly on Constellation Records, a label known more for post-rock bands like Godspeed You! Black Emperor, but then they’re also an anomaly in that they’re a Canadian band without any Canadian members, their personnel having moved to Montreal from various US states and, in one case, Australia. Still on the touring trail for last year’s sublime second LP Sun Coming Down, their second European trek since its release sees them make a much anticipated return to Ireland and a Belfast debut. Derry’s Autumns kick things off, fast becoming Belfast’s support-band-in-residence, which is no bad thing.…

  • Iggy Pop – Post Pop Depression

    The biggest challenge for an older artist with a lengthy career is to stay relevant and keep their audience interested. Some manage this with ease – Nick Cave has rarely put a foot wrong since the beginning of the 80s, for example – but most, including ‘godfather of punk’ Iggy Pop (on the scene a decade or so longer than Cave), will inevitably start to fly slightly under the radar after a while. In his early days he always worked best with strong collaborator, be it the rest of the original Stooges, James Williamson in their later incarnation – though none of these were quite able…

  • Out Of Oblivion Into The Light: An Interview with Mission of Burma

    For years, Boston post-punk legends Mission of Burma were one of rock music’s great ‘what if?’ stories, an obscure but influential band that broke up far too soon due to singer/guitarist Roger Miller’s tinnitus, worsened by their notoriously loud live shows, leaving behind just one full length album, an EP and a couple of singles. When they finally reformed in 2002 (with Shellac’s Bob Weston taking over the role of tape manipulation from Martin Swope) they did it properly, refusing to be a mere nostalgia act and issuing a string of new albums that sounded just as vital as what…

  • September Girls – Age of Indignation

    “I am reborn”, sing September Girls in the opening track of their second album Age Of Indignation. While this album doesn’t represent a musical rebirth – the band still operate at the intersection between fuzzy noise pop and post-punk – it does represent a band growing in ambition, both musically and lyrically, continuing a trend that’s been happening gradually over the course of their career to date. The musical ambition is evident straight away, opening with the 6 and a half minute ‘Ghost’, a track that builds in intensity from a slow burning intro to a lengthy pummelling conclusion that sounds like an even more ferocious…

  • Future of the Left – The Peace and Truce of Future of the Left

    It’s been almost three years since the last Future of the Left album, though we haven’t exactly been left wanting, with frontman Andrew Falkous delivering two solid albums under his new Christian Fitness moniker in the interim. Nevertheless, it’s undeniably exciting to have the full band back in action, as demonstrated by the PledgeMusic campaign for fifth album The Peace and Truce of Future of the Left reaching its goal in a mere three hours. Their second pledge-funded album, they’re evidently one of model’s success stories, partly due to loyal fans that have been following Falkous since his Mclusky days, but also because they’re a band that…

  • Solar Bears @ Lavery’s, Belfast

    Gigantic at Lavery’s is a Belfast institution. For over a decade now it’s been a valuable club night for those of us who would rather spend a Friday night dancing to LCD Soundsystem or The Juan MacLean over the more typically pedestrian fare on offer in most clubs of a weekend. It’s also been refreshing for its tendency over the years to play material by local artists alongside the usual international acts, so the recent monthly gig nights at the club have been an inspired move. Not to mention, with music industry release dates now standardised to Fridays on both…

  • 16 For ’16: Paddy Hanna

    Fifteen hugely promising, genre-spanning Irish acts down, we conclude our annual Ones to Watch feature with Dublin’s Paddy Hanna. Words by Cathal McBride. Photo: Mark Earley. Following his 2014 debut album Leafy Stilleto on Popical Island and a pair of strong 2015 singles, Dublin’s Paddy Hanna is on an upward trajectory that shows no sign of faltering any time soon. A string of Irish support dates with Girl Band last year with his backing band, including No Monster Club’s Bobby Aherne, has only helped to raise his profile further. Swapping his old band Grand Pocket Orchestra’s lo-fi art pop for…

  • 16 For ’16: exmagician

    With their debut album teetering on the brink of release, Belfast’s exmagician are primed for a remarkable 2016. Cathal Mc Bride traces their formation, recent output and what lies ahead. Photo by Ruth Kelly Rising from the ashes of Cashier No.9, that band’s primary forces Danny Todd and James Smith have put their old project to bed and reinvented themselves as exmagician. The sunny sound of Cashier’s To The Death Of Fun has now been traded for something slightly darker, and although acoustic guitars are still a dominant force, it’s less folksy this time out, with a greater leaning on electronic…

  • Sea Pinks – Soft Days

    With five albums in little over five years, Neil Brogan’s work ethic is admirable. And that’s just with Sea Pinks – add to that the albums and EPs he drummed on with Girls Names before his 2013 departure, an excellent recent EP with post-punk quartet Cruising and a low key solo EP as Winterlude early this year and you wonder where he finds the time. With more and more small bands operating part-time in today’s unsteady music business, longer gaps between releases are increasingly common, but the release of Dreaming Tracks in late 2014 still feels like only yesterday, and…