• Terry Riley & Gyan Riley @ The Sugar Club, Dublin

    “We’ve heard the bar will be closed during this performance, so this might be a long 45 minutes. But we’ll suffer through it together.” Gyan Riley is sat across from his 85-year-old father, Terry, on-stage at Dublin’s The Sugar Club. Before them, watching on from tiered cinema seating and plush velvet banquettes, is a small sea of muted smiles that strong suggest that sufferance – or anything resembling it – is far from on the cards this evening. Hosted by the city’s perennial gatekeepers of good taste, Choice Cuts, it’s the first of a two-night residency from The Rileys and the…

  • Anna Calvi @ Empire Music Hall, Belfast

    Anna Calvi is a musician who seems deeply invested in the art of the crescendo. Blessed with a gargantuan set of pipes, she can veer from a hushed mumble to clarion operatic tone in an instant, archly imbuing her music with shade and suspense and conjuring up bombastic, room shaking coups de grace that punctuate her grand musical statements. Tonight Calvi’s darkly theatrical persona will dominate The Empire’s striking Victorian music hall, an ideal setting for her apocalyptic brand of cabaret which promises to bombard the audience with head spinning guitar pyrotechnics, dramatic key changes and thrilling, shrieked finales. Stepping…

  • Julien Baker w/ Becca Mancari @ Vicar Street, Dublin

    There’s a medium-sized crowd at Vicar Street to welcome Julien Baker and her support act Becca Mancari to Dublin. Opening the night on a lovely note, Mancari’s mostly acoustic songs are simple yet emotional and her passionate takes about performing on a tour of two queer women are both endearing and inspiring. She’s a perfect compliment for Baker’s style with just enough hope to balance out the sadness of the latter’s music. There’s something incredible about Julien Baker and her talents. Baker has a particularly special type of stage presence. The atmosphere she controls and creates is impenetrable – every…

  • Arctic Monkeys @ 3Arena, Dublin

    The bitter nights may have crept in but a jam-packed Luas to The Point Depot keeps makes it a cosy spin. This is the first of two sold-out Arctic Monkeys shows in Dublin’s 3Arena. A lush stage setup resembling a hotel lounge illuminates at 9 o’clock as the house lights go down. The now packed venue explodes as the Sheffield heroes walk on stage dressed in tailor made suits and shiny leather shoes. Alex Turner, sporting a tight new haircut, has developed a hybrid aesthetic of a skin head and Nick Cave. They launch into ‘4 out of 5’, the lead single…

  • Mitski w/ EERA @ Tivoli Theatre, Dublin

    As Mitski takes to the Tivoli stage, accompanied by her four-piece band, there are shrieks and howls from the sea of caps and thick-rimmed glasses before her. Support act EERA have clearly warmed up the crowd sufficiently with their blend of dream-pop and indie rock. Aside from that, it’s clear that the crowd are not just casual listeners: they are fanatics. As the abrasive and electric opening riff of ‘Remember My Name’ rears it’s ugly head, Mitski remains stationary, with her hands behind her back, looking slightly upward. She appears powerful in this stance, proving that one does not need flashy…

  • Wooden Shjips + Cian Nugent @ Empire Music Hall, Belfast

    It takes a very special kind of band to, at least in the right setting, meddle with one’s most basic understanding of time. Wooden Shjips are one such band. Tonight at Belfast’s Empire Music Hall, the San Francisco psych rock alchemists’ reiterative, lysergic-dappled craft induces a trip that all but stretches the parameters of chronological perception. Laying the groundwork is one of the country’s most singular solo talents, Cian Nugent (below). Despite almost being consumed by the frankly shameful hubbub of tonight’s growing crowd, he casts a subtle, yet potent spell as tonight’s sole support. Stripped-back and drawn-out is the order of the day for a set…

  • Incubus @ Ulster Hall, Belfast

    Unlike many of their MTV2-approved peers whose day in the sun came to end many years ago, Incubus, it would seem, have aged surprisingly well. Having weathered getting older via a string of latter-era albums that aren’t (entirely) unlistenable, live, Brandon Boyd, Mike Einziger and co. still possess that which helped set them apart at the turn of the millennium. Doubling up as their long-awaited Belfast debut, tonight’s show at the iconic Ulster Hall is full testament to that. 27 years and eight albums in, the Californian band have long known what their fans have come to expect and deliver accordingly.…

  • Frankie Cosmos w/ Squarehead @ Voodoo Belfast

    Frankie Cosmos’s Greta Kline is an artist who oozes cool credibility. A startlingly talented songwriter with a steadfastly DIY ethos, the native New Yorker began garnering acclaim for her music when she was still just a teenager, using Bandcamp to release a veritable avalanche of bedroom pop gems in just a few short years. Now signed with Sub Pop records and touring off the back of Frankie Cosmos’ third full length album,  this evening’s show in Voodoo promises to showcase Kline’s wry poeticism and Lo-Fi yet sophisticated take on the indie pop genre. First sightings of Kline in Voodoo’s bar…

  • Another Love Story 2018

    An intimate festival of approximately two hundred attendees, Another Love Story is based in a family home set in quaint country surrounds of Killyon Manor. A mixture of live music, art installations and talks were enjoyed across various makeshift venues on the lawn as well as inside the house, namely in both cosy front rooms and the spacious ballroom. Now in its fourth year, Another Love Story affirmed its position as Ireland’s finest festival. The interplay between bands from Dublin and Cork, namely, of musicians spotted multiple times performing with different acts over the three days, demonstrated both the connectivity of…

  • Richard Thompson w/ David Keenan @ Empire Music Hall, Belfast

    There’s been a recurring narrative in most critical discussion around Richard Thompson over the years, that he exists as this undiscovered national treasure. In terms of the comparable reverence commanded by former peers like Nick Drake & John Martyn, that might be true – it’s not a trendy sell, not quite fitting perfectly into folk or rock pigeonholes in a business that operates most efficiently under binary conditions. Couple that with themes that veer wildly between mordant meditations on humanity, and congenial, quintessentially British kitchen sink themes without the ‘benefit’ of A) dying young, or B) self-mythologising as a romantically-inclined…