• No Monster Club – People Are Weird

    February 10, 2015 - By 

    No Monster Club is a cacophonous creature that can’t be categorized. Styled by Dublin’s own Bobby Aherne, this musical act is a creation born of many genres, many trials, many errors, and many years in production, with latest release People Are Weird proving no exception to this theme. In fact, this eighth album represents a lot of Aherne’s transformation as an artist these past eight years. Dipping his hands and his listeners’ ears into various pots of sound across the set, Aherne flees from being pinned to one classification, weaving an opus which draws on the influence of past artists…

  • John Carpenter – Lost Themes

    February 2, 2015 - By 

    Within seconds of hitting play on director John Carpenter’s first ‘real’ album, pictures start to form in your head. Kurt Russell, chewing on a cigarette, sullenly peeking out with his one eye, stubble so rugged you could grate cheese on it, and a fashion sense that is questionable, at best. There might never be another Snake Plissken movie, but when John Carpenter is behind the synth, suddenly there doesn’t need to be.In some part due to necessity, Carpenter composed the soundtracks to the vast majority of his films, working quickly and cheaply, utilising basic rock band instrumentation and heavy, primitive…

  • Jape – This Chemical Sea

    January 29, 2015 - By 

    How do you follow up not one, but two Choice Music Prize winning albums? This is a dilemma that so far no one has ever had to face other than Jape’s Richie Egan. He’s Ireland’s answer to PJ Harvey in that respect, although even she didn’t win her two Mercury Prizes with two consecutive albums.  First properly establishing himself with 2008’s Ritual, still a bona fide Irish classic and arguably Egan’s first solidly consistent piece of work, having benefitted from the success of minor hit single ‘Floating’ to show him which direction to settle on, 2011’s Ocean Of Frequency was…

  • Val Normal – Fly The White Flag of War

    January 25, 2015 - By 

    The importance of editing should never be underestimated. It takes a lot for a person in any creative medium to step outside themselves and be able to recognize that, while you may be intensely proud of what you’ve made, some of it needs to be cut off to save the rest; a kind of apoptosis. Never forget that, while a cheeky wee guitar solo can be essential, after a point it’s just diminishing returns. It’s nigh on impossible to count the number of genuinely interesting prog rock songs that have been lost to unwieldy length and arrogance on the part…

  • Sleater-Kinney – No Cities To Love

    January 23, 2015 - By 

    If, after ten years and numerous highly influential albums, you want to call it a day, that’s perfectly fine. That old Neil Young line about burning out holds as much weight now as it did in back in 1979. But if you are going to reappear without warning, you’d better have a damn good reason. You can talk about legacy ultimately being redundant, but how many great bands are tarnished by a bad comeback album. The Pixies’ Indie Cindy is a record chock full of cuts that wouldn’t be considered C-sides back in their heyday, the world wasn’t begging for…

  • The Dodos – Individ

    January 20, 2015 - By 

    Some bands have one album in their discography that will simply never be bettered and will always slightly overshadow all subsequent releases. The Dodos are one of those bands. After debuting with the pretty solid Beware Of The Maniacs, the duo came to most people’s attention with second album Visiter, an hour long indie folk odyssey, characterised by Meric Long’s intricate yet sometimes ramshackle finger picking and honey-like voice accompanied by Logan Kroeber’s frantic percussion, performed as if by a man with at least 3 arms. Wonderfully melodic, occasionally chaotic, it was the overlooked gem of 2008. They followed it…

  • Aphex Twin – Syro

    October 3, 2014 - By 

    To give Richard D James an introduction seems redundant. Anyone uninformed of his past work has almost certainly listened to other artists inspired by it; such was the impact of many of his staple albums throughout the 90s. His reach within electronic music has oft been referred to as game changing, immeasurable, and essential. So when his unmistakable emblem began appearing on blimps, tagged across multiple European capitals and even within the darkest reaches of the deep web accompanied by a stark ‘2014’, the electronic music producer from Cornwall sent music lovers worldwide into a state of frenzy. The hype…

  • U2 – Songs of Innocence

    September 10, 2014 - By 

    So, straight off the bat – let’s forget about Apple, iTunes, hypocrisy, commerce, and even U2 themselves. Daunting though that may be, it doesn’t really help us when it comes to looking at Songs of Innocence, the thirteenth studio album by U2, arguably the biggest band in the world. Like looking at someone like Roman Polanski, or Woody Allen, or whomever, there comes a time when you have to separate the art from the artist, and attempt to consider that in isolation. And this time round, that’s never been more pertinent for U2.Songs of Innocence is eleven tracks of new material from…

  • Judas Priest – Redeemer of Souls

    July 24, 2014 - By 

    Judas Priest have always had a ‘balls to the wall’ sound, largely courtesy of guitarists KK Downing and Glenn Tipton. So when Downing decided to abandon ship in 2011, it was the musical equivalent of Priest losing a bollock. Kicking off their seventh album, ‘Dragonaut’ positively tears out of the speakers, leaving you in no doubt that if this is Priest on one bollock, it’s still better than most other things. Redeemer of Souls is very much Judas Priest being ‘Judas Priest’, delivering molten slabs of classic heavy metal, stories of warriors, machines, and beasts. And by adhering to the…

  • Manic Street Preachers – Futurology

    July 16, 2014 - By 

    Twenty-five years is a long time to be doing anything, especially making music. One of the biggest problems facing a group lasting this long is that of progression. Where do you go? It comes down to a simple choice: keep pushing forward or stagnate and reiterate. There are pros and cons for both. If you keep advancing you could discover new styles and sounds and be a modern 1970s Bowie but you could also look ridiculous and fail spectacularly like 1990s Bowie. With repetition you end up tying your hands behind your back and locking yourself into a single inescapable…