• The Pirates Don’t Eat The Tourists: Jurassic Park, 25 Years On

    John Hammond is Steven Spielberg. Yes, it’s an obvious analogy: Richard Attenborough’s bio-engineering CEO and the maestro who directed him are both bearded childlike innocents, starry-eyed dreamers, alchemists who conjure stunning spectacles for an adoring public and make serious bank in the process. And both have seen their legacy squandered. In the twenty-five years since Jurassic Park’s release, across four sequels, the parks and their improbable animal attractions have been misused and mistreated, spiralling, in an inevitable logic Dr. Ian Malcolm would appreciate, towards chaos. In this month’s underwhelming Jurassic World: Fallen Kingdom a burst of volcanic violence snuffs out…

  • Ready Player One

    After Steven Spielberg changed the movie world with Jaws in 1975, he bought a cavernous Beverley Hills home and filled it with arcade machines. Newly minted and paranoid, the director also installed an elaborate security system, and refused to accept deliveries at the door. Hollywood’s hottest director and his walled-off playpen. Ready Player One is a film built for Spielberg The Younger, from Spielberg The Elder, a cautionary celebration of pop culture toy islands, a messy, whizzing trip into the lens-flare fantasies of the geek id. In Ready Player One, ‘the OASIS’ is the biggest toy-box ever invented. A giant virtual reality and intensely lucrative…