Alana Henderson’s debut EP is a strong statement of intent. These dark folk songs are dominated by her powerful, nuanced cello playing and clear voice, with an able supporting cast complimenting each dramatic stroke with subtle harmonic flicks, background croons and interpretive percussion. It’s a beautifully organic sound, one which should appeal more to followers of the US indie end of the folk spectrum than to Mumford devotees. The opening title track is a thing of wonder, immediate and striking but revealing more of itself with every listen. Henderson’s confident cello stabs take centre stage, plucking, swooning and swelling round…