How do you stage Samuel Beckett’s radio play All That Fall in a festival setting when Beckett was, for the most part, dead against theatrical interpretations of it? Though there had been stage translations authorized by Beckett, notably by Deryk Mendel in Berlin in 1966 and by Christopher Hampton in Calgary in 1967, the writer seemed to regret such translations and would later say no both to Ingmar Bergman and Laurence Olivier’s requests. When Director Max Stafford-Clark – former Director of the Royal Court Theatre, London – approached the Beckett estate about realizing All That Fall he was asked what…