Lame horses get shot and broken cowboys get put out to pasture in Chloé Zhao’s The Rider, a soulful, touching look at ranchers and riders in the modern American heartland, based on the real-life experiences of its lead, former rodeo performer Brady Jandreau. Zhao, who previously looked at vulnerabilities on the open plain in 2015’s Songs My Brother Taught Me, casts unknowns and keeps the film light and loose, its wide open landscapes of sky and rock the backdrop to the pain of a talented rodeo cowboy forced to hang up his stirrups and face the existentialist wilderness after suffering a…
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Ourania Michaloliakou, a dumpy Greek twenty-something, loves Disney movies. She has a bookcase full of them. She loves board games with her friends and cute cats and doggies, using her position on the Athens city council to support stray animal causes. She also wants to liquidate her political rivals. Ourania is the daughter and only child of Nikolaos Michaloliakos, founder and leader of the far-right, ultra-nationalist political party Golden Dawn, a previously obscure movement rocketed into national prominence in the fallout of the financial and European refugee crises. In the chilling but limited Golden Dawn Girls, Norwegian director Håvard Bustnes probes…
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This review was originally published as part of the Belfast Film Festival ’18 coverage. The Omagh-born Aoife McArdle showcased her feature debut, Kissing Candice, at the Belfast Film Festival, but she’s a director and screenwriter with plenty of experience and a well-developed eye, a confidence that shines through in the film, a mad, bad, thrilling vision of libidinal teenage energy. Billed by McArdle at a post-show Q&A as a look at ‘Irish youth in crisis’, Candice, from Venom Films and the Irish Film Board, is so much more interesting and vivid than the description, with its suggestion of bleeding-heart melancholic…