The last film David Lowery wrote and directed, 2013’s Southern crime mood piece Ain’t Them Bodies Saints, caught some critical flak for its obvious debts to Terrence Malick’s whispery, wheat-swaying-in-the-sun photography. More than one review noted its promise, but emphasized Lowery’s need to find his own voice. Four years later, after a stint at Disney directing the live-action Pete’s Dragon, Lowery is back in the auteurish game, with a film seemingly designed to answer the charge of unoriginality. Even by A24’s idiosyncratic standards, A Ghost Story is a strange, alienating and singular piece of cinema. To give Lowery his due,…
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Kenneth Lonergan makes films about the things that don’t go away. In 2000’s You Can Count On Me, the sudden orphaning of young siblings helps fashion an unsolvable divide between the two in adult life, while in Margaret, which lingered undistributed for years while director and studio fought over the final cut, witnessing a fatal accident sends Anna Paquin’s carefree teenage life spiralling in new, frustrating directions. His third feature as writer-director, Manchester by the Sea, part of Amazon Studios’ effort to chase indie respectability, is Lonergan’s most refined work yet, a restrained but movingly complex portrait of tragedy’s never-ending…