There is a deep chill at the heart of the new Choir of Young Believers record, Grasque. Falling into that same niche as John Grant or Shearwater, the group has opted to set aside their more orchestra and folkier affectations in exchange for a more detached, electronic sound. Every human element, bar the vocals, is toned down to the point of non-existence. Strings are swapped out for synths or modulated and warped into something mechanical. When the emotion finally arrives in the form of Jannis Noya Makrigiannis’s voice it’s muted and confined yet yearning like less falsetto Jonsí.  Atmospherically, it seems…