There is that Morrissey line that seems rather pertinent when discussing the latter part of Biffy Clyro’s career: we hate it when our friends become successful. Witnessing one of the UK’s most beloved cult acts completely dominate the charts was always going to be true sight to behold. On their journey to the top however, the group lost what made them so fascinating in the first place; their ridiculous tonal shifts sidelined in favour of more straightforward pop-oriented direction. Their previous album – the bloated, underwhelming double album Opposites – was a testament to this fact as none of its twenty…