Alright, here’s the craic: Richard Dawson isn’t just in a league of his own when it comes to trend-flattening experimental folk: he is easily one of the greatest living musical artists. He first confirmed that fact with the release of Nothing Important back in 2014, and to the contrary, it felt very important; seismic even. On that album and follow-ups Peasant and 2020, the Newcastle artist took the imprint of everything from Kenyan folk traditions and Captain Beefheart, to Sun Ra and Sufi devotional music to fathom a careening, unfuckwithable folk genius all his own. See also: last year’s sprawling opus The Ruby Cord. During that time, Dawson had few more…
