• “They’re Us… That’s All” The Unlife of George A. Romero

    In 1967, music and art threatened to take over the world. The Beatles were proclaiming that “All you need is Love”, Jefferson Airplane were chasing the white rabbit down the hole into a magical wonderland, and Pink Floyd were taking us into the outer realms on an ‘Interstellar Overdrive’. Meanwhile, up on the big screen, Warren Beattie and Faye Dunaway were smouldering as outlaw couple Bonnie and Clyde, while Dustin Hoffman pursued an unconventional love in The Graduate. It was a good time to be young, white, and American. But for all the hopefulness that emanated from pop culture, real…