The world is ending. And even if politicians don’t know it, blockbuster cinema does. Godzilla: King of the Monsters, the lizard king’s thirty-fifth film and the third in Legendary’s MonsterVerse (sigh) franchise, begins soaked in the visual vocab of disaster. Fire, rain, rubble, and parents screaming the names of buried children. In the background, skydiving trails signal the stand-out set-piece from 2014’s Godzilla, whose domestic drama has been swapped for Vera Farmiga and Kyle Chander’s estranged married couple and their daughter (Stranger Things’ Millie Bobby Brown) dealing with the realities of a post-monster world. Sort of, but not really: King…