There comes a point in self-portraiture when you lose focus of the fact the imagery in front depicts the artist themselves. While you don’t truly ‘forget’ this knowledge, it doesn’t become the overriding concern. The work transcends itself from self-portraiture to portraiture, and with this emerges the possibility of the work to speak of societal observations rather than personal musings. The more successful the work is the quicker this process happens, which allows for greater insight. The most obvious case of this, in the history of photography, is the canon of Cindy Sherman. It’s hard not to think of Sherman…