What’s interesting about Leon Vynehall is that, throughout his short career so far, he hasn’t fully committed to or straddled one concrete aspect of house music. Rather, he seems to relish the opportunity to push the boundaries of a relatively confined genre, and, given the constraints and familiarity of its 4/4 foundation, Vynehall has consistently found enough leeway to bridge out while maintaining a dance-floor ready edge. Rojus, his latest effort, sees the Brighton producer take elements from 2014’s Music For The Uninvited to offer a collection that, whilst finding its feet once more within the broad strokes of the Chicago sound, allows for enough variation…