Sometimes crappy films are interesting. Their failures flag up ludicrous studio decision-making, or a creative ego gone unchecked, or just a series of small misguided steps that, in retrospect, were so obviously the wrong path to go down. For those of us professionally curious about why stories do or do not work, these movies are instructive and shareable; the critics’ version of “Hey, smell this!”. But, really, most of the time, bad or boring movies are bad or boring in ways that are totally predictable. Watching them is an exercise in low expectations met. Alita: Battle Angel, Robert Rodriguez’s big-screen…
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Christmas films are a tough nut to crack, if you’ll pardon the pun. They require an almost faultless balance of pathos and sentimentality, lest we forget that “It’s a Wonderful Life” is about the failure of common man and suicide as well as angels attaining wings. If you go too far in one direction, you can end with a film which seems insincere, idiotic and full of saccharine trust. The inverse of that is you end up with a nasty, hateful film which just sneers at the audience. Every now and then, a film gets the balance just right; Satoshi…