Rory Grubb may be a singer-songwriter, but he isn’t exactly the kind of artist that term brings to mind. Third album Water House, his first in seven years – apparently “pieced together in rural Kilkenny between 2010 and 2012, over two very cold winters, in buildings without insulation” but only now seeing the light of day – amplifies the idiosyncrasies of previous album Sketches From The Big Sleep and brings them closer to the surface, as he mixes acoustic and electronic instrumentation along with homemade instruments like his impressive electric ceramophone – an array of ceramic pots spanning the musical…
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Recorded in an old mill in Kilkenny, a wooden cabin in Carlow and a Georgian basement in Dublin over two very cold winters, Water House is the third album by Dublin artist Rory Grubb. Debuting Grubb’s much-admired creation, the Electric Ceramophone (a huge percussion instrument made from tuned clay pots) the release is a genre-warping, lo-fi gem evoking the likes of Beat Happening, The Microphones and Jeffrey Lewis. Largely opting for sampler keyboards and custom-made instruments throughout the release, Grubb has concocted another singular effort bursting with melody and bold experimentalism. Grubb launches Water House at Dublin’s Bello Bar on Friday night with support from Ross…