Like Sebastián Silva’s previous films, Tyrel walks the tightrope between psychological drama and out-and-out horror. Interpersonal conflicts come to the fore in strange, unpredictable ways. The tension is palpable, the level of cringe punishing. The film takes place over the course of one wild weekend. Tyler has been invited by his friend Johnny to drink with his childhood buddies. Being thrown into a new group of people can be anxiety-inducing enough, but once Tyler meets Johnny’s fratboy mates, it quickly becomes clear that he’s the only black man among them, adding an extra layer of unspoken tension. What makes Tyrel…