The hardest working band in electronic pop have moved to 4AD for their fourth album of delicately skewed and melodically-crushing heartbreak. Superficially, Singles carries on the Baltimore trio’s business of creating crafted, if slightly unsettling vignettes of loves lost, unrequited or simply illusory. The likes of ‘Tinman’ (from breakthrough second album In Evening Air) frantically pulsed with a combination of galloping bass and simmering synth washes and –most importantly – the astonishing voice of one Sam Herring. Herring’s half strangled, affected and utterly effecting throaty laments leant those songs a kind of raw, unnerving authenticity that made you believe he…