With the promotional admission that Róisín Murphy’s latest full-length album Take Her Up To Monto was born from sessions concurrent to her last LP, the faultlessly idiosyncratic Hairless Toys, the worry listeners faced was that the ‘new’ material on offer so shortly after might have been, well, old. But in typically daring fashion, what has resulted from these sessions is a collection of tracks that boasts the same verve and vibrancy as heard on Hairless Toys, but with a razor’s edge running throughout that’s explicit in differentiating THUTM from its predecessor – a feat that few manage to coherently demonstrate. The thing is though, fans can…