The modern folk music scene is all too often seen as the playground of minimal imagination. In recent years it has divided opinion more than most and rightfully so, suffering as it does from sub-par input with lazy, introspective lyrics and generic instrumentation. Such is the dilution of the genre, it takes something special to stand out and demand attention. Ciara O’Neill’s album, The Ebony Trail is a largely sparkling piece of work with inventive themes, ideas and directions yet it is also an album which occasionally fails to match its own high standards. Ciara takes a worn out trope and twists it into something…