Good old Space Rock: for when you need songs to last ten minutes but you’re not in the mood for all that proggy, time signature business. When you need to rock out but still wanna feel mellow, man. When you want to think about the vastness and complexity of the universe but you aren’t really up for much thinking. The genre provides so much and demands little in return. Zone out under your headphones at home, or wig out in the front row behind your fringe, head shaking from side to side, rib cage secretly on the verge of collapse…
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Any time Baltimore crops up in conversation these days, thoughts are likely to turn to The Wire, but the gritty cop saga is far from its only artistic attraction. It’s not the biggest of American cities, but for many years Baltimore has harboured an indie rock underground whose tentacles have spread far and wide. First to make their mark were experimental pop troupe Animal Collective. Then Dan Deacon’s intense and playful compositions began to gain traction elsewhere. Beach House and Future Islands were next to transcend the city’s febrile scene, followed by indie-rock bands Wye Oak and Lower Dens and…