Few modern music documentaries approach the kind of magic that is layered throughout Toby Amies’ In The Court of the Crimson King. The British filmmaker and broadcaster’s study of Robert Fripp and his band, King Crimson, is a fascinating exploration of the dynamics – both personal and creative – that have long made Fripp’s musical vehicle a thing of near mythos. Ahead of a screening and Q+A with Amies at Belfast’s Queens Film Theatre on Sunday 16th April, Brian Coney chats to the director about the many challenges, and myriad rewards, of tackling such an inscrutable subject and towering musical…