Isn’t the point of anti-heroes that they’re not dull? Great power, great responsibility? That’s Peter Parker’s deal. He’s gotta defeat Doc Ock in time for date night for MJ, and pick up Aunt May’s prescription on the way. But Eddie Brock gets to be a shithead. In the tradition of superhero doppelgangers, Venom gets the super-abilities without the baggage, indulging in the petty, violent delights off-bounds for your friendly neighbourhood Spidey. But in Venom, Sony Pictures’ still-can’t-believe-it’s-real foray into the fringes of their Spiderverse IP, which doesn’t mention the wise-cracking web-slinger at all, Eddie Brock gets to save the world.…
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The Drop is a good example of how short stories and screenplays are different forms with different expectations and demands. Dennis Lehane, who writes the film, translates the material straightforwardly from his 2009 story ‘Animal Rescue’, producing a low-level Brooklyn crime drama which often feels both undernourished and padded. Director Michael R. Roskam impressed in 2011 with Bullhead, a Dutch-language feature about the animal hormone underworld in Belgium, and here he finds a similar, if less complex, story about day-to-day mob operations and the guarded, tense blue-collar men caught up in them. Bob (Tom Hardy) and Marv (the late James…