Like John Goodman’s black ops adventurer whose mania for fantastic beasts and where to find them drives the film, Warner Bros are chasing something big with Kong: Skull Island. Coming with an Avengers Initiative-style post-credit coda and forming a “Monsterverse” (sigh) with Gareth Edwards’ 2014 Godzilla, this new Kong rendition is a reach for a big, stonking franchise to compete with other studios’ similar endeavours. Peter Jackson’s 2005 King Kong leant into the tragic, emotionally grand tradition of old-timey, New York skyline iconography. Whatever you make of Jackson’s film – and reception was mixed – an eager artistic vision shone through. Skull…