Liam Neeson’s late-career rejuvenation as your taxi driver’s favourite action hero has largely been down to three European film-makers. French pair Luc Besson and Olivier Megaton wrote and directed the vengeful paterfamilias fantasies of the Taken series, while Spain’s Jaume Collet-Serra has directed Neeson in a series of highish-concept movies with interchangably forgettable titles: Run All Night (ticking-clock cops), Unknown (amnesia) and Non-Stop (murder at 16,000 feet). The latter’s locked-box story of an Air Marshall sniffing out a killer above the Atlantic provides a pretty obvious blueprint for the train-tracks mystery of Collet-Serra’s latest, The Commuter, in which Neeson plays…