• Whaling On: An Interview With Blue Whale

    Next Friday, March 15, Belfast jazz-punk band Blue Whale return with their highly-anticipated second LP, Last Immediate Images. The follow-up to 2018’s Process, it’s another masterfully shapeshifting leap forward from one of the island’s most fiercely unpigeonholeable bands. Recorded and produced by Gilla Band’s Dan Fox, the album is a remarkable expansion, and deft deconstruction, of what the Quietus once hailed as their “chaotic, yet controlled experimental rock.” Ahead of its release, Cathal McBride spoke with guitarist Ben Behzadafshar about prolonged experimentation, the magic of biding one’s timing, being ‘sound carriers’ for Damo Suzuki and more. Blue Whale launch Last…

  • ØXN – CYRM

    Not content with earning a Mercury Prize nomination for this year’s False Lankum album, Lankum’s Radie Peat returns mere months later with the debut LP by new group ØXN. Originating in a collaboration between Peat and Katie Kim – who is herself coming right off the back of last year’s masterful Hour of the Ox – the pair expanded to a quartet with the addition of Percolator members Ellie Myler and John ‘Spud’ Murphy, the latter already a long-term collaborator of everyone involved as well as being an increasingly in-demand producer further afield. Long awaited since the then-unnamed group performed…

  • Autre Monde – Sensitive Assignments

    It feels fitting for Dublin label/collective Popical Island to re-emerge from hibernation with the release of this second album by Autre Monde – something of a supergroup of Popical Island alumni, fronted by Paddy Hanna along with members of Ginnels, No Monster Club and Land Lovers. Produced once again by Gilla Band’s Daniel Fox, on Sensitive Assignments the quartet stray further still from the more conventional indie pop of their early singles, taking the more synth-heavy direction of 2020 LP The Imaginary Museum into deeper oddball territory than ever before. While the excellently titled ‘Road to Domestos’ – an ode…

  • Dreaming In Another Language: An Interview with Arborist

    Riding a wave following the release of his stellar third album, Mark McCambridge chats with Cathal McBride about subtlety, sold-out shows and winning over BBC 6 Music Photos by Jane Donnelly When Arborist managed to entice US indie rock royalty Kim Deal, of Pixies and Breeders fame, to sing backing vocals on debut single ‘Twisted Arrow’ back in 2014, one could easily have assumed this was an early peak that would be impossible to top. In actual fact, the project of Belfast-based Ballymena man Mark McCambridge has only gone from strength to strength ever since, scooping NI Music Prize nominations…

  • The Good DIY Young: An Interview With Belfast Promoters Asphyxia

    Ross Cullen from Belfast’s newest independent promoters gives Cathal McBride the lowdown on the DIY spirit behind their packed-out shows across the city Photo by David McEneaney  For such a relatively small city, Belfast often punches above its weight in terms of live events, both in terms of big-name bookings from larger promoters and those on the more DIY side, like the brilliant Strange Victory or the now sadly departed Sizeable Bear. A newer name in the city’s DIY promoter circuit is Asphyxia. Helmed by Ross Cullen, Ethan Rea, Conall Coulter and Sienna-Lillie Munn, they have hit the ground running…

  • Yawning Chasm – The Golden Hour

    Galway’s Aaron Coyne has been making music as Yawning Chasm for over a decade now, but has flown conspicuously under the radar in that time. While some releases have come out via Galway’s low key but always excellent Rusted Rail label, others have simply been self-released on Bandcamp with all too little fanfare, including latest – and seventh – album The Golden Hour. While primarily a singer-songwriter, Coyne’s style steers clear of the generic. His unconventional main instrument is the four stringed tenor guitar, perhaps most well-known these days for its use by Warren Ellis on latter day Bad Seeds…

  • Wall of Sound: Marion Hawkes of Sound Advice

    Belfast’s newest record store is far from your usual fare. With DJ Marion Hawkes at the helm, Sound Advice is helping set the pace for a city brimming with fresh possibility Photos by Darren Hill It’s only a few short years since Belfast was hit with a succession of independent record shop closures that left something of a wilderness unbefitting a city of its stature. Thankfully, with city centre joint Starr Records making strides, recovery has been swift. The latest store to open its doors is east Belfast’s Sound Advice, owned and run by Marion Hawkes, DJ and co-founder of…

  • And So I Watch You From Afar – Jettison

    After five albums, And So I Watch You From Afar take something of a left turn with their first ‘multimedia album’ Jettison. Produced with accompanying visuals, their usual crushing riffs and frenzied guitar workouts are replaced, at least initially, by gentle chords resembling The Cinematic Orchestra’s ‘To Build a Home’. Strings and spoken word passages from Emma Ruth Rundle and Clutch’s Neil Fallon float in and out, adding new dimensions to the beloved Belfast-based band’s sound The tension racks up though as the album continues, each movement seamlessly progressing into the next as one long continuous piece, at times recalling…

  • Ordnance Survey – Field Work

    Outside of his work on keys and percussion for Dublin math-rock heroes The Redneck Manifesto and stints playing with Jape and David Kitt, Neil O’Connor has been quietly plugging away for years as one of Ireland’s finest electronic musicians and composers. While his Somadrone project started out in the realm of twitchy electronics and ambient vibraphone textures on early albums like Fuzzing Away to a Whisper, over the years it’s become more a fleshed out beast, adding weary vocals and occasional guitar on top of ice cold synths, like an intriguing blend of shoegaze and house. While we haven’t had…

  • The Altered Hours – Convertible

    Given that they’ve been releasing music for a full decade now, it’s easy to forget that Cork quintet The Altered Hours are only now releasing their second full length album, Convertible. It must be down to the quality of the EPs they’ve released along the way – no mere stopgaps, releases like 2013’s Sweet Jelly Roll or 2018’s On My Tongue house so much of their most essential material. Debut long player In Heat Not Sorry surfaced in 2016 – an excellent collection of tracks, but one that often took a slower and starker direction than previous releases in a…