• Amy

    July 1, 2015 - By 

    I really didn’t want her to die. I mean, it’s a ludicrous thing to say: this is Amy Winehouse. We know how the story ends. But as Asif Kapadia’s scrupulously chronological film unspools we follow this charming, bolshy North London girl from a friend’s 14th birthday party (filmed in the unfailing fawn and sage colour scheme of 90’s video footage) through to the first few steps of her recording career and onto a success that she didn’t want and couldn’t withstand. “I don’t think I’ll be at all famous,” she offers in an interview. “I don’t think I could handle…

  • The Burning

    June 29, 2015 - By 

    Looking over the last decade or so, we as a culture seem to be falling back in love with the Western. Between John Hillcoat’s The Proposition, The Coen Brothers’ No Country For Old Men and Tarantino’s Django Unchained, the Western is coming back in a very vivid and eclectic way. Each of these films, and most recent Westerns of this ilk, seem to actively want to make a comment on our society, be it moral relativism, the fundamentally nihilistic nature of the world or the centuries old roots of Ferguson and Baltimore. This all neatly leads us to The Burning,…

  • The Look of Silence

    June 25, 2015 - By 

    Joshua Oppenheimer won the MacArthur Genius Grant in 2014, primarily off the back of his 2012 effort The Act of Killing, a brutal and genuinely disturbing masterpiece . The film was about the 1965 Indonesian military coup, the subsequent genocides in which over a million people were murdered and the nation that Indonesia became having been run by the men who committed these acts of killing. It was a film that asked the perpetrators of these acts to reenact them, all of whom did with a worrying glee, in order to help us understand the cultural mindscape of the nation…

  • Entourage

    June 22, 2015 - By 

    Entourage isn’t really a movie. It’s a feature-length wrap-up of the massively successful HBO show of the same name, which told the story of a group of bromantic friends from Queens who live the high life in la-la-land when the beautiful one gets tapped for stardom. Loosely based on the banter of producer Mark Wahlberg and his buddies, the show combined a lightly-worn underdog spirit with glossy lifestyle porn. The film is, as everyone has pointed out, basically a bunch of TV episodes strung together, a fist-bumping victory lap for the already-smug. In basic story-telling terms, nothing really happens: there’s no arc, no development, no…

  • Jurassic World

    June 15, 2015 - By 

    No recent blockbuster is so visibly animated by the anxiety of influence as Jurassic World. Coming 14 years after the last inter-species tête-à-tête, and nearly a quarter of a century after the magisterial original, Spielberg’s franchise has been dug out of amber and reanimated for a new generation. Now three sequels in, Jurassic World gestures to its cinematic parent with a half-embarrassed mixture of deference and dread, prodding audience nostalgia with riffs on iconic images while offering a surprisingly self-reflexive commentary on its own bland, sell-out pillaging of that first-time wonder. Two decades after the park’s initial teething problems, the…

  • Timbuktu

    June 7, 2015 - By 

    In the world right now, there is a cultural war unfolding. It’s a conflict of moderation against militancy as ordinary Muslims try to sustain their way of life in the face of violence and campaign of fear in the form of ISIS, whose commitment to brutality may well be one of the most legitimately terrifying elements of contemporary society. The group hold a unique position; by flooding the news with hyper-flashy, well edited YouTube videos of their barbarity, they’ve ensured their constant presence on television screens and on and offline publications globally. This monstrous self-promotion has put any kind of…

  • Heaven Adores You

    June 5, 2015 - By 

    I was slumping about in my mid-teenage years, feeling a bit lost and misunderstood, when I first was introduced to Elliott Smith. One listen of XO and I fell in love hard. Elliott Smith’s magic lies in creating the delicately beautiful and achingly bittersweet. He is, at once, the perfect and worst thing to listen to if you’re heartbroken, melancholy or just feeling a bit overcast. And, let’s be honest, any fan worth their salt has knowingly (almost masochistically) reached for one of his albums when at a low, in the full comprehension of what will follow. He is the…

  • Listen Up Philip

    June 5, 2015 - By 

    The saying goes that if you think everyone you meet is an asshole, then the real asshole is probably you. Alex Ross Perry’s brilliant, caustic Listen Up Philip serves up two of recent cinema’s finest assholes, a men of letters two-hander of Jason Schwartzman’s young novelist and Jonathan Pryce as the past-it literary icon he so admires. Schwartzman has a habit of playing characters on the fringes of sufferability, from Funny People‘s sell-out comic to the word-smart P.I in Bored to Death, and here he pushes through to the other side, into a glorious, all-out prickishess. Philip (Schwartzman) is preparing for the launch of his second…

  • San Andreas

    June 2, 2015 - By 

    California is shaking and Dwayne ‘The Rock’ Johnson is the only man who can save his wife and hot daughter from those antsy tectonic plates. Boys and girls, let’s play the disaster movie drinking game. Take a shot every time someone asks ‘are you okay?’ to someone who really should not be okay; every time the super dad tells the camera he’s gonna ‘get his daughter’; every time someone says ‘little [X] is all grown up’; every close-up of a scary red graph; every time someone busts into an office and says ‘you have to see this’; every time someone…

  • A Girl Walks Home Alone at Night

    May 27, 2015 - By 

    Taking just as many cues from US and European independent cinema as the classic horror canon, first-time feature writer-director Ana Lily Amirpour meticulously crafts a striking new-wave romance, in, what could very well be, the finest vampire flick of the decade. “Vampire romance? Ugh!”, I hear you groan. Rest assured, A Girl Walks Home Alone At Night is more than the sum of its parts, worlds away from those much-loathed teen melodramas of recent years. Instead, Amirpour presents a dark, postmodern tale of loneliness and desire, set amongst the industrial ghost town of Bad City, Iran. A desolate town sucked…