• The Boy Downstairs

    June 13, 2018 - By 

    HBO’s Girls has become a shorthand for certain kinds of New Yorkian slice of life dramedies and romances, shaped by the ‘hipster’ spaces and attitudes of articulate inner-city millenials. Desiree Akhavan’s Appropriate Behaviour (2014), for example, which presented a same-sex relationship and breakup in rom-com retrospective, got labelled by some outlets as a lesbian version of Lena Dunham’s show (on which Akhavan later made an appearance). New rom-com The Boy Downstairs, the first feature from writer-director Sophie Brooks, an NYU film school grad, invites the same comparisons. Its details suggest the aesthetic geography of the urban creatives — a craft beer store, a twinkly roof party, a…

  • Book Club

    June 7, 2018 - By 

    Partly a feature-length advertisement for Random House’s most famous erotic novel series, partly an unintentional satire about the dire state of affairs for older female actors in Hollywood, partly a bland romantic comedy that sticks to formula, Book Club’s eye-raising hook centres on a group of autumnal friends who read 50 Shades of Grey and find their libidinal juices suddenly brought to the boil. It’s like a producer read one of those 2011 articles about middle-aged housewives renovating their own personal Red Rooms, click his ‘treatment’ fingers and then the thing sat in production for seven years. The Christian Grey…

  • Jurassic World: Fallen Kingdom

    June 7, 2018 - By 

    Welcome to cinema’s annual extinction event. Or, as it’s known around these parts, the summer. ‘Fallen’ is the word alright. We are a long way from the expertly choreographed, memorably human spectacles that launched a thousand lunchboxes back in ’93. The Jurassic series has struggled to replicate the original Spielberg magic and the exhaustion continues with Fallen Kingdom, the fifth in the franchise and the second in Universal’s second round of ill-fated trips to Isla Nublar (are there any other kind?). Jurassic World director Colin Trevorrow, having gotten the call from Kathleen Kennedy, is out, but he and Derek Connolly have stayed on writing duties.…

  • Solo: A Star Wars Story

    May 25, 2018 - By 

    ‘I’m an outlaw’, declares Alden Ehrenreich’s young Han in Solo: A Star Wars Story, the latest in Lucasfilm’s line of standalone spin-offs. Emilia Clarke, playing Qi’ra, the One Who Got Away, laughs. She doesn’t believe him. And neither will anyone watching. Kylo Ren’s call to ‘let the past die; kill it if you have to’ is great storytelling advice masked as Oedipal anxiety, and it’s advice that post-prequels Lucasfilm, addicted to the past, is unable to grasp. Lucasfilm can’t kill the past because the past is the golden goose. Solo, written by father-son Kasdans Lawrence and Jonathan, and directed, in…

  • Life of the Party

    May 16, 2018 - By 

    Life of The Party is a comedy about the danger of compromising for your partner. Melissa McCarthy plays the homely, mumsy Deanna, whose husband Dan announces he’s filing for divorce just after they drop their daughter off for her first college semester. Feeling sucker-punched and bereft, she decides to enrol in the college herself and finish the archaeology degree she abandoned when she got pregnant. Dan (Veep’s Matt Walsh) is shacking up with a glamorous realtor (Modern Family’s Julie Bowen), leaving Deanna bitter at having put him first all her life and having little to show for it. The message…

  • Deadpool 2

    May 16, 2018 - By 

    In the beefed up, more densely populated Deadpool 2, an expanded talent budget means Ryan Reynolds’ chattering ‘Merc with the Mouth’ gets to assemble his own super-team (named ‘X-Force’, because ‘X-Men’ is sexist). One of his recruits is Domino (a breezy Zazie Beetz), whose power is to be permanently in Fortune’s good books. She is effortlessly lucky: spinning cars whizz past her, guns in her face jam and a blustery day blows her parachute in just the right direction (prevailing winds turn out to be a not-minor plot point). In Reynolds’ rearguard mutant franchise, 20th Century Fox have found their own…

  • Avengers: Infinity War

    April 27, 2018 - By 

    Yeah, there’s some spoilers. “We’re in the end game,” announces Benedict Cumberbatch’s Dr. Strange in Avengers: Infinity War. Sure we are Steve, but it’s a long game. For ten years the Marvel Cinematic Universe has been in the group stages. Infinity War is the qualifying round. There’s still the semis to look forward to. The basic narrative logic of Marvel Studios’ unprecedented and profitable experiment in serialised story-telling is that of deferred gratification. Maybe you liked this specific film, maybe you didn’t. But hey, check out what’s coming up next. Here’s Spider-Man. Here’s the Guardians of the Galaxy. Here’s the big bad…

  • Belfast Film Fest: The Rider

    April 23, 2018 - By 

    Lame horses get shot and broken cowboys get put out to pasture in Chloé Zhao’s The Rider, a soulful, touching look at ranchers and riders in the modern American heartland, based on the real-life experiences of its lead, former rodeo performer Brady Jandreau. Zhao, who previously looked at vulnerabilities on the open plain in 2015’s Songs My Brother Taught Me, casts unknowns and keeps the film light and loose, its wide open landscapes of sky and rock the backdrop to the pain of a talented rodeo cowboy forced to hang up his stirrups and face the existentialist wilderness after suffering a…

  • Belfast Film Fest: Golden Dawn Girls

    April 19, 2018 - By 

    Ourania Michaloliakou, a dumpy Greek twenty-something, loves Disney movies. She has a bookcase full of them. She loves board games with her friends and cute cats and doggies, using her position on the Athens city council to support stray animal causes. She also wants to liquidate her political rivals. Ourania is the daughter and only child of Nikolaos Michaloliakos, founder and leader of the far-right, ultra-nationalist political party Golden Dawn, a previously obscure movement rocketed into national prominence in the fallout of the financial and European refugee crises. In the chilling but limited Golden Dawn Girls, Norwegian director Håvard Bustnes probes…

  • Kissing Candice

    June 20, 2018 - By 

    This review was originally published as part of the Belfast Film Festival ’18 coverage. The Omagh-born Aoife McArdle showcased her feature debut, Kissing Candice, at the Belfast Film Festival, but she’s a director and screenwriter with plenty of experience and a well-developed eye, a confidence that shines through in the film, a mad, bad, thrilling vision of libidinal teenage energy. Billed by McArdle at a post-show Q&A as a look at ‘Irish youth in crisis’, Candice, from Venom Films and the Irish Film Board, is so much more interesting and vivid than the description, with its suggestion of bleeding-heart melancholic…