Taking just as many cues from US and European independent cinema as the classic horror canon, first-time feature writer-director Ana Lily Amirpour meticulously crafts a striking new-wave romance, in, what could very well be, the finest vampire flick of the decade. “Vampire romance? Ugh!”, I hear you groan. Rest assured, A Girl Walks Home Alone At Night is more than the sum of its parts, worlds away from those much-loathed teen melodramas of recent years. Instead, Amirpour presents a dark, postmodern tale of loneliness and desire, set amongst the industrial ghost town of Bad City, Iran. A desolate town sucked…