The one and only Ariel Pink with support from Jorge Elbrecht at Dublin’s Button Factory. Photos by Zoe Holman.
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It’s been announced that L.A. lo-fi multi-instrumentalist maestro Ariel Marcus Rosenberg aka Ariel Pink will play Dublin’s Button Factory on August 16. Co-promoted by Aiken and Skinny Wolves, tickets for the show are on sale now priced €22. Ariel Pink released his stellar 11th studio album, Dedicated to Bobby Jameson, via Mexican Summer back in September last year.
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The last remnants of the Forbidden Fruit stages are being taken down. A few straggling food tents and vans are dotted around the edges of the field beside the obligatory Bulmers festival stands. And the rain is pouring down. It’s only through an organisational miracle that this gig is going ahead at all, really. What was originally meant to be an outdoors affair has instead been forced into two big tops, meaning that those who were lucky enough to secure tickets are tightly squeezed in. However, the lack of space in no way impacts on the energy at tonight’s triumvirate…
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A label based on aesthetic principles, 4AD has spent over 30 years being everything you think it is not. Initially founded by Ivo Watts Russell in 1980 as a vehicle to release music by bands at the centre of the nascent goth scene, the label quickly established a style and format that would lead to it becoming one of the most iconic record labels of the 80s.With records clad in immaculate Vaughn Oliver sleeves, the label originally specialised in floaty, gothic ambience, before encompassing world music, dance music, and – perhaps most significantly – the cutting edge of the US…
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A year is a long time in the world of pop music, and it’s hard to believe that an incredible three years has passed since the release of Ariel Pink’s game-changing album Before Today. Before that, he’d been a lo-fi oddball, a seemingly deliberately obscure artist as likely to be responsible for a piece of unlistenable mucking about as he was for a warped slice of vintage FM pop music. Before Today changed all that, and ‘Round & Round’ was the moment when his peculiar genius asserted itself. Over a bed of hazy Hall & Oates-esque synths, Pink and the rest…