Returning with his highly anticipated sophomore effort Blue Madonna, Michigan born Garrett Børns captures the momentum from his debut Dopamine and transforms it into a catalyst for experimentation. Gone is the typical homogeneous album setup, replaced instead with kicks and flares from a medley of instruments that spring up from the spaces that break up the noise.  Where Dopamine reclined into a suave sofa of plush electro-pop beats, Blue Madonna erratically paces across a floor of glossy, facet tiles. Opening with the relatively reserved ’God Save Our Young Blood’, BØRNS‘ pace and tone matches that of his collaborator, one Lana Del…