On her nostalgic new album, Daddy’s Home, St. Vincent searches for herself, using a funky, ‘70s sound palette to examine themes of parenthood, power and incarceration. In contrast to the futuristic Masseducation, the artist’s seventh album takes a step back in time, looking at the idea that more things change, the more they stay the same.  Co-produced by Clark and Jack Antonoff, Daddy’s Home explores a feeling of being lost without a sense of home, and sonically jumps to and from the past without a feeling of stability in either. Clark uses nostalgic techniques and stylistic cues to signify that one…