Kendrick Lamar has a lot resting on DAMN. He is, of course, in a “good place” artistically at the moment, to say the least: he’s widely considered the greatest rapper in the game at the minute, off the back of two instant-classic albums and frequently stunning guest verses across various musical landscapes (appearing on songs from jazz bassist Thundercat, mega-producer DJ Khaled and pop-rock also-rans Maroon 5 in the past year). 2015’s To Pimp A Butterfly‘s seismic impact created fans in David Bowie and Barack Obama and enemies in the right-wing press, and found it’s single ‘Alright’ being adopted at Black Lives…