If you had to be robbed by anyone, you’d want to be robbed by Robert Redford. He’d flash his holster, give you a knowing nod, and lay on that wiley Texan charm, the undiminished, easy-going confidence. You’d hand over your bank card and apologise for your shitty overdraft. “No problem,” he’d smile. Based on the real-life exploits of Forrest Tucker, a serial bank robber and prison escape artist, The Old Man & The Gun is a light-hearted, light-footed crime comedy caper about the Sundance Kid refusing to go gently into that good night. After having made his way out of…
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The last film David Lowery wrote and directed, 2013’s Southern crime mood piece Ain’t Them Bodies Saints, caught some critical flak for its obvious debts to Terrence Malick’s whispery, wheat-swaying-in-the-sun photography. More than one review noted its promise, but emphasized Lowery’s need to find his own voice. Four years later, after a stint at Disney directing the live-action Pete’s Dragon, Lowery is back in the auteurish game, with a film seemingly designed to answer the charge of unoriginality. Even by A24’s idiosyncratic standards, A Ghost Story is a strange, alienating and singular piece of cinema. To give Lowery his due,…