Once you become aware of Venezuelan-American songwriter Devendra Banhart‘s other life as a visual artist it becomes difficult to distance it from his musical output. Despite rarely linking his music and visual art, aside from painting his own album artwork (including the grammy nominated beauty of 2009’s What We Will Be), one always feels the intended aesthetic and colour that permeates his music. In 2013 Banhart released his Nonesuch Records debut, Mala, a record of playful, winsome cuts that toyed with love’s awkwardness and silliness with equal parts melancholy and wit. Throughout the album, the grainy pink colouring that defined its cover perched on the listener’s…